A Indisciplinar é uma revista acadêmica digital editada pelo grupo de pesquisa Indisciplinar (Escola de Arquitetura - UFMG / CNPq). Propondo-se como reflexão sobre a construção do espaço urbano, bem como sobre a estruturação do saber científico, esta publicação almeja integrar produções acadêmicas (de graduandos a pesquisadores consolidados na área), a análises conduzidas por outros atores fundamentais no debate sobre a produção do espaço e as disputas territoriais – como artistas, ativistas e agentes de movimentos sociais e populares. É de interesse da revista fomentar o debate sobre a construção do espaço urbano a partir de um projeto transdisciplinar, capaz de evidenciar os interesses transversais e transescalares envolvidos nas disputas territoriais, sejam eles políticos, econômicos e/ou sociais. Assim como nas demais áreas de atuação do grupo Indisciplinar, a revista almeja relacionar ensino, pesquisa e extensão e confere destaque às proposições de novas metodologias científicas. A proposta multidisciplinar da revista incentiva artigos em diversas áreas do conhecimento, como: urbanismo, arquitetura, artes, design, educação, direito, ciências sociais, ciências políticas, engenharias, dentre outras. ISSN: 2525-3263 revista.indisciplinar.com
O texto apresentado a seguir faz parte da tese de doutorado do autor na UFMG intitulada ‘As Sementes do Espaço: Arquiteturas em Processo’ sob orientação da prof. Maria Lucia Malard, Dra. arquiteta. Essa tese avalia os processos de projeto do escritório JDArq em consonância com as práticas acadêmicas desenvolvidas pelo arquiteto traçando um paralelismo entre prática projetual e o ensino da profissão. A transArquitetura é uma dessas práticas acadêmicas propostas pelo desenvolvidas com os estudantes.
The industrial architecture of fortaleza and its (i) material dimension
There are several approaches involving cultural heritage that reinforce architecture as an object endowed with historicity and that it is important to preserve it. In this article, we understand that the experiences - or their absence - between human beings and architecture may contribute to their preservation or, otherwise, to their forgetfulness. In this perspective, we propose a reflection on how we perceive buildings through our senses for we believe that this stage is fundamental to recognize and preserve the place. On the other hand, those obstacles to this relationship can accelerate the loss and estrangement of cultural heritage. To address this theme, we aim to engage in a dialogue between related areas, such as architecture and anthropology, to think about the building and its (I) materiality. Therefore, the discussion unfolds in the analysis of an old manufacturing complex in northeastern Brazil, in Fortaleza, Ceará. The set is known as "Oficinas do Urubu" and, as well as other industrial buildings in the city, it seems invisible in the middle of the urban plot, even with its gigantic proportions. These structures, often isolated from their surroundings by extensive walls, become fragments disconnected from the dynamics of the city. This analysis aims to identify the impact of these historical buildings that are apart from society. We understand architecture as an urban phenomenon that establishes a dialogue with the daily processes that give meaning to the city's practices. Thus, the aim is to create and expand the possibilities of looking, evaluating, and interfering in the industrial heritage.
Public spaces, although supposedly equally accessible, offer possibilities for more or less restrictive enjoyment and occupation, depending on the groups placed there. The city, as a reflection of the prevailing social ideas and values, has in heterosexuality the legitimate and morally constituted norm, which shapes not only ways of thinking, but also the behaviors exposed in public spaces, with urban life reflecting culture. The main objective of the article is to present counter-hegemonic narratives about urban living. For that, such narratives were mapped through experiences of LGBT + people, in the space-time context of the Street Carnival in Belo Horizonte, Minas Gerais / Brazil. Cartography as a method allowed the production of subjective data that led to a debate inspired by the action of the Situationist International, which sought experimental constructions of moments and environments guided by desires that transform passive normality in everyday life. In this way, it is sought to show, through the narratives, that the Street Carnival establishes a space-time where the dominant discourse of heteronormativity is questioned, providing a transformed urban experience in relation to that experienced in the usual routine.
This paper aims to report the reflections on the experiment of a dérive, carried out through Google Earth, in the region of El Callao in Peru, with the objective of reflecting and partially characterizing the socio-spatial relations verified in the apprehension of everyday public spaces. It was recognized in the mediation of this process a type of exercise capable of enhancing the approximation with territories that are foreign to us. The systematic practice of residents was identified with the use and installation of portable plastic pools on the streets and sidewalks in the region. Based on the survey of local and national news and reflections on the production of everyday public space, this practice was understood in the light of the processes of resistance against hegemonics and the concrete exercise of the right to the city. The perceptions about the vitality of the socio-spatial relations verified in the use and appropriation of the daily public space were opposed to the media narratives. Finally, it points out the need for a dialogical process aimed at collective action in general, including a socially critical perspective on the daily socio-spatial practices of urban space production and reproduction. It is up to technicians and governments to enable the autonomy of those who constitute themselves as objects of knowledge and historical subjects, reintegrating the sense of the public sphere into everyday space and establishing margins for effective maneuvers and dialogues for the material and socio-cultural realization of cities
This article aims to present possibilities of epistemological turnaround, in the terms of Ana Clara Ribeiro (2010) - taking into account feminist, intersectional and decolonial theories, evaluated according to our academic experience, as indiscipline. This is the structural motivation that starts from observation and experiences, above all as teachers and researchers, from perspectives understood as indiscipline against the order and norms in the hegemonic production of knowledge. We discuss the importance and the potential of feminist theories as possible methodological turnaround, as an instrument embodied in social reality. Therefore, this text presents reflections based on teaching practices, seeking to compose forms of teaching-learning that are attentive to what students dialogically learn and teach us, with a view to refuting practices of methodical discrimination from teaching to professional practice, whether from teachingresearch-extension, whether of project and planning.
This article presents reflections on the pedagogical experience of the Project Atelier of the Faculty of Architecture and Urbanism, developed in the seventh semester, where the search for construction of propositional hypotheses aims to think and rethink the place of the project as an instrument of the right to life, based on an inseparable practice of research, teaching and extension, whose central question is how the design exercise can be presented as a tool for the contribution of the struggle for the democratic expansion of the contemporary urban condition. From the necessary approaches - theoretical, cartographic, analytical and critical - to pedagogical practice, through approaches and construction of dialogue between agents of organized social movements, the experience was structured on the tripod right to the city / agents of resistance / meanings of project and sought to promote project reflection on the centrality of the use of its public space as a guarantee of rights in, for and over the city.
Seeing the growing complexity of what we used to know as urban – now more and more intertwined with the rural, productive sites and nature – the last decades have witnessed the reawakening of interest in landscape (urbanism) and cartography as tools to apprehend and deal with complexity. While landscape is able to embrace the urban with the natural and the social, the cartographic method has the potential of combining space with time, fluxes, movements, processes. This article presents a reflection on the potential use of cartographic methods and practices in urban studies, particularly in urban history, for their ability of uncovering hidden logics and constructing alternative narratives, in alignment with post-colonial thought. Supported by Milton Santos, Lefebvre, Charles Waldheim, James Corner, Deleuze, Guattari, and others the first part of the paper navigates through the notions of space, landscape, event, rhizome and cartography in order to expose the potential contribution of the cartographic method and practice to urban studies. Finally, we present three maps representing distinct moments in Belo Horizonte’s history. In those, the application of the proposed method reveals alternative narratives and interpretations on the history of spatial formation in this city
The present text was inspired by the discussions undertaken during the course “Cartography of Living” and the researches developed in our group A.T.A (UFSJ), as well as by the debates that took place in the seminar “Innovation in Politics and Space”, organized by the Space Laboratory of IPPUR (UFRJ). The essay comes from the convergence of writings and reflections cultivated during the last year. With the pandemics in 2020, we were immersed in a context of insecurity, sharing a perspective in which the virus points to a possible end for humanity. This reality makes inequalities flourish and amplifies social-spatial segregation to the contemporary digital universe. The present essay is an attempt to reflect upon social memory from the production and consumption of images as well as upon virtuality and visibility in a pandemic atmosphere. Starting from the perspectives shared in our researches, we aim to think on the role of photography and its impact as an instrument for social-spatial transformation and also as a “social document” in an era of objectification of the bodies.
World Idealization and Readings of Religious Spaces
The article presents results from interviews conducted between 2018-2020 about the spaces of religiosity in the popular territories of Belo Horizonte. Located at the interface between the field of religious studies and urban studies, especially the faculty of idealization of the world and the reading of the place, the ongoing research maps and analyses mechanisms of assembling Pentecostal worldviews out of interactions between different strands and localities of pentecostal movement and between Pentecostalism and other beliefs. To this end, it is necessary to advance in the construction of a theoretical-methodological framework that allows a pluralist view of the perceptions of the faithful and their historical, political, cultural and urban context. As a preliminary result, we present hypotheses developed from the interviews and a brief ongoing research agenda on the topic.
This essay is constituted as an initial reading of verified approaches between affections and politics, through practices shared by different subjects in the urban space, which represent alternatives that stand in opposition to neoliberalism. This reflection is a result of an acting in the field of technical assistance, which mobilizes actions of confronting and to resist against the dominant order. An analogy to embroidery is proposed as a methodological strategy, from three threads that aim to forms of agency that could be studied as a critical perspective of intervention at the macro-political sphere. In them, there is an approach about the relation between politics and psychoanalysis; another one, about the recovery of the concept of Common as a strategy for society’s transformation; and a third on collective social practices that constitute microconjunctures. The three readings express intersections, emphasizing that, even in face of adversity conditions, individuals are led to produce other ways of agency to make their urban experiences viable within the neoliberal order. Therefore, the verification of these references might contribute on the development of techniques that strengthen the arrangements already established in these locations, which overlaps the social control structures, intervening in daily life and producing important transformations, from which other threads can be stitched.
Relatos de uma não-deriva por uma ex-cidade fantasma chinesa
Existiam pelo menos três voos diretos saindo do aeroporto de Nanyuan em direção a Ordos, mas nenhuma companhia aérea (em sã consciência) disponibilizaria essa quantidade de voos diários para uma cidade fantasma. Recentemente, o aeroporto, inaugurado em 1910, enquanto a China ainda estava na Dinastia Qing, teve suas operações transferidas para o megalomaníaco Daxing Airport, desenhado pelos arquitetos da Zaha Hadid Architects, fechando as portas de uma vez por todas e causando comoção no país - já que até o Henry Kissinger aterrissou por lá em função da emblemática visita de Richard Nixon à China em 1971. Quatro anos antes de encerrar suas atividades em 2019, pegamos um voo lotado de passageiros indo de Pequim para Ordos, saindo deste aeroporto, e nos perguntávamos: será que estamos mesmo na fila para aquela cidade fantasma que vimos noticiada na mídia quando ainda estávamos no Brasil? Fomos com uma série de perguntas e desconfianças até Ordos, projetada para uma população de 1,3 milhões de habitantes e com apenas 2% de construções ocupadas na época. Paramos no tal aeroporto, dormimos a primeira noite em um centro próximo e seguimos para o novo distrito de Kangbashi. Pegamos um taxi, o motorista usava óculos escuros e parecia o Psy da música Gangnam Style, lançada em 2012 - mesmo ano, aliás, que Wang Shu levou o Prêmio Pritzker; ao que, em meio a todas essas coincidências e devaneios, chegamos em grande centro cívico composto por um eixão monumental, ao melhor estilo da dupla Lúcio e Oscar, e com céu límpido de uma letra do Djavan. Não contentes, aquele centro histórico forjado, criado e previsto em projeto (chamado Kangbashi touristArea) de dar inveja a Ouro Preto ou Pelourinho, com direito a um enorme museu, amorfo, sem acervo e sem exposições, desenhado pelos MAD Architects – que lhes pouparemos a tradução e trocadilho – contava também com uma série de casas em construção
Palestra “Geopolítica e Desenvolvimento Territorial Chinês” proferida pelo Ministro Conselheiro da Embaixada da República Popular da China no Brasil, Qu Yuhui
Dia 17 de novembro de 2021, o Ministro Conselheiro da Embaixada da República Popular da China no Brasil, Qu Yuhui, proferiu uma palestra-live de encerramento da disciplina-webinário “Geopolítica e Desenvolvimento Territorial”, coordenada pelos professores-doutores da Escola de Arquitetura da UFMG Natacha Rena e Marcelo Maia. A abertura da live contou com a recepção do Ministro pelo Professor Doutor da Escola de Direito da UFMG, Aziz Tuffi Saliba, diretor da Diretoria de Relações Internacionais (DRI) da UFMG e pelo Professor Doutor da Faculdade de Letras da UFMG Leandro Rodrigues Alves Diniz, diretor do Instituto Confúcio (IC) UFMG.
GeoDebate entrevista Elias Jabbour sobre o seu novo livro “China: o socialismo do século XXI
Data da transmissão: 02/12/2021 Data da transcrição: 22/12/2021 Duração: 53:00 Local: Transmissão ao vivo através do canal do YouTube ‘Geopolítica’, do Grupo GeoPT. Transcrição por Eric Fellipe Lima.
...deslocalizar-se para uma nova substância urbana
No livro Great Leap Forward, Rem Koolhaas consolida uma série de teses realizadas por pesquisadores da Harvard Design School sobre a China, criando novos conceitos. Koolhaas introduz o livro apresentando sua hipótese de que o movimento Metabolista[1]. foi o primeiro movimento de vanguarda da arquitetura não ocidental[2] e o último movimento da arquitetura de interesse público que praticamente desapareceu com a chegada do neoliberalismo. Ao sugerir que o Team X e o Archigram foram os últimos movimentos reais do urbanismo e os últimos a propor novas idéias e conceitos para a organização da vida urbana, o pensador utiliza o termo “urbanismo plástico” para se referir a uma capacidade crescente de produzir uma condição urbana livre da urbanidade. Ao deslocalizar-se para a Ásia, Koolhaas descobre na China uma outra história da arquitetura e do urbanismo, na qual ele identifica a criação de uma “nova substância urbana”, distante das doutrinas universais ocidentais. (KOOLHAAS, 2002, p.27, tradução nossa). Nos últimos anos iniciamos um exercício cotidiano de estudar territórios pertencentes à Rota da Seda junto aos alunos da EA UFMG[3]. Aprendemos coletivamente ao percorrer georreferenciadamente a milenar Rota, que existem outros mundos, outros modos de vida, outras substâncias territoriais. Percorrer a Rota da Seda tem sido menos sobre deslocar-se emais sobre deslocalizar-se. Deslocalizar-se do Ocidente como um exercício em busca de uma visão mais diversa, inclusiva e tolerante, fazendo conhecer outros mundos e civilizações. Deslocalizar-se pela Rota da Seda tem se tratado para nós, de criar diálogos intercivilizatórios que possivelmente será o maior desafio metodológico ocidental ao propiciar um acúmulo depistas para novas soluções que resolvam parte da nossa crise civilizatória. Este ensaio imagético é, portanto, parte do processo de reflexão pessoal que envolve o fato de que localizar e ser localizado não é explorar, conhecer novos lugares, outros mundos e ou civilizações. Ainda que o Google te permita abrir um mapa de Xangai, para conhecer a China é preciso estar aberto para um diálogo intersistêmico, se reconhecendo como parte de um e dialogando com o funcionamento do outro. Entender um pouco do processo de urbanização chinês, significa deslocalizar-se do sistema ocidental e buscar os rastros de novas substâncias urbanas que possibilitem criar novos conceitos e novos mundos.
An online participatory mapping app as a technical advisory tool in architecture and urbanism
In the digital age, the role of online platforms in strengthening popular participation must not be ignored. An investigation on how to insert popular contribution in an online participatory mapping app is proposed based on the experience of the Neighborhood Plan, an active methodology of participatory urbanism applied by the research and extension group Periférico, trabalhos emergentes from the Faculty of Architecture and Urbanism of the University of Brasília. The Periférico group performs Action research approaches in marginalized territories by the urban planning, aiming for a socio-technical adequacy of the developed projects (DAGNINO, 2020). Initially, a literature review on experiences of social participation in a Georeferenced Information System (PPGIS) is carried out, focusing on their potential for empowerment and interaction between participants. Then, an app model with spatial patterns that translate the complexity and transdisciplinarity associated with the urban space, which would enhance the dialogue with the community and a mapping of the dimensions of sustainability (social, cultural and affective, environmental and economic) is discussed. Finally, a proposal is made for an online participatory mapping app to support part of the process of social concerned land regularization (Reurb-S), which provides for the work of professionals in the urban, environmental, social and judicial areas. To this end, Esri tools (ArcGIS) were tested according to their participatory and interactive potential for a participatory online mapping in socio-technical adequacy.
Between multi-scalar and trans-scalar approaches
In the field of Urban Studies, there is an evident need to rethink the scope of investigative methods due to the multiple transformations of contemporary urban life. The objective of this article is to expose in a dialogic way the notion of scale from the Critical Urban Theory and Urban Assemblage, especially linked to the Actor-Network Theory. The text highlights possible implications when adopting multi- or trans-scalar theoretical-methodological approaches in Urban Studies. In this sense, we present the main divergences, possible convergences and complementarities between them.
Peripheral entrepreneurship? Uber drivers and car washers in the metropolis margins
The article presents the results of a research carried out through interviews with partner-drivers and car washers in two car washes in Betim, Metropolitan Area of Belo Horizonte (Minas Gerais State, Brazil). We begin the analysis with a theoretical debate that recovers the notions of neoliberalism and entrepreneurship as central to understanding the new morphologies of uberized work, platform corporations, urban poverty, and the peripheric areas. Car washes are places where two categories of impoverished workers converge: Uber drivers, who seek to keep their cars clean, and car washers. These workers are a necessary complement, even undervalued, to the provision of services through digital platforms in the metropolis. The second part presents the reports collected from semi-structured interviews, questionnaires, and field visits, seeking to give visibility to the subjects of the uberization process. The final considerations recover the dialectic between the banalization of new digital technologies and the renovation of precarious places and workers as metropolitan fluidity conditions.
The Plataforma Brumadinho is a tool for accessing information on the damage and compensation lawsuits following the rupture of a tailings dam in the Córrego do Feijão mine, in Brumadinho (Minas Gerais, Brazil), conducted by the 2nd Treasury and Independent Governmental Agencies County Court in Belo Horizonte. It contains legal and academic documents, produced within the scope of the Brumadinho-UFMG Project, featuring varied search and data visualization mechanisms and simplified information for all audiences with internet access. This article describes the conceptual development and implementation of the platform, including the guiding principles, the data flow, the functional structure and the document analysis method applied in building the content. The main contributions of the Plataforma Brumadinho in the damage and compensation lawsuits are the promotion of access to information and the innovative integration of information, supported by the constitution of a collection of documents and a spatial data infrastructure.
Auto-organização, afirmação e politização na Festa de São Francisco das Chagas no Remanso (Lençóis-BA).
This article reflects on the changes in the way of organizing the most traditional celebration of the patron saint of the Remanso quilombola community in Chapada Diamantina (Bahia): the São Francisco das Chagas party, celebrated annually. The text presents the context of the party in order to reveal the specific forms of resistance that culminate in a process of politicization of its agents. It is an experience that reveals the emergence of unique knowledge and practices, subject to disputes, absence of support and denial of rights and which are linked to other local ways of celebrating: Marujada Quilombola do Remanso and Caruru ceremonies dedicated to Saints Cosme and Damião. With these three moments as central to the analysis, the article points to identity celebrations as important spaces for the construction of policies and mediation, emphasizing their organization process and the performance of women at the base of decision-making, in the organization and in the conduct of rituals. When looking at the senses of these three ways of celebrating, we have a historical invisibility and vulnerabilities that cross a daily life whose power is affirmed from its identity base, Jarê, a religion of African origin exclusive to the Lavras Diamantinas region, where the Remanso community is located.
The process in the design and teaching of architecture from a decolonial perspective
This article approaches architecture as an open process, instead of focusing on the representation of the closed product-project, so referenced by universal ideologies. On the other hand, the emergence of architecture is guided by the production of extraordinary spaces and establishes representation as a paradigm, reducing space to two-dimensional images and transforming it into a commodity product. The rapid and indiscriminate consumption of these images facilitates the acceptance of universal ideologies and cultural imposition. In this sense, coloniality is understood as something that crosses and regulates life in several aspects, reaching the subjectivity of individuals and ways of knowing the reality and the world, with the educational system being one of the main means of maintaining this control. The teaching / learning of architecture focused on the representation of the product-project and the transmission of the architectorum mode is problematized. Thus, the discussion about project teaching is made from a decolonial perspective, investigating how the evaluation process can contribute to pluriversality and to the valorization of the process, to the detriment of the valorization of the product based on the universal model of what is a “good architecture”. Finally, an open design method with interfaces is presented to exemplify the use of representation as a tool for the process, assisting the investigation of own desires and new subjectivities so that we can design other worlds where many worlds are possible.
A extensão universitária no Chile passou por mudanças que acompanharam as principais reinvindicações sociais no país. Os estudantes chilenos tiveram um forte protagonismo na construção da extensão universitária, principalmente na primeira metade do século XX, através da participação em congressos e seminários pela reforma universitária. No início dos anos 1970, em função dos efeitos da revolução cubana que se espalharam por todo o continente e pela ascensão do partido de esquerda Frente Popular, liderado pelo político Salvador Allende, o Chile vivenciou uma importante efervescência cultural e política. Nesse período, muitos intelectuais de esquerda estavam exiliados no país, fugindo de governos autoritários que implantavam ditaduras militares em toda América do Sul, entre eles estava o educador brasileiro Paulo Freire. Exiliado desde 1964, Freire produziu no Chile duas obras que vão contribuir decisivamente para o fortalecimento do pensamento crítico na educação superior, especificamente na extensão universitária: Pedagogia do Oprimido (1970) e ¿Extensión o Comunicación? (1973). Estas obras simbolizam o processo de construção teórica da extensão universitária no Chile, que seria abruptamente interrompida pelo golpe de Estado de 1973.
Este conto é uma homenagem a todas as mulheres que dedicam suas vidas em defesa de seus territórios e de sua gente, e que lutam por cidades e uma sociedade mais democrática, justa, inclusiva e amorosa. As linhas deste texto trazem a experiência vivida durante a produção do documentário realizado com Valéria Borges, moradora, militante, liderança local, professora, fotógrafa e guardiã de memórias da favela Pedreira Prado Lopes, em que ela, com toda seu amor e resistência, conta a história de sua comunidade junto com sua militância no e pelo território. O documentário foi realizado em 2019 pelo grupo de pesquisa Indisciplinar, durante a pesquisa extensionista Territórios Populares, e está disponibilizado no blog da pesquisa e no canal da mesma no Youtube, acesse: blog <http://territoriospopulares.indisciplinar.com/> e documentário <https://youtu.be/2ZXSRVAneMI>.
Terreiros are these spaces where the feasts of orixás, spiritual and enchanted entities are celebrated. It is the space where every dynamic principle, therefore complex, takes place, where rituals take place and relationships intensify among practitioners of Afro-Brazilian religions. A Jurema Sagrada terreiro is a space for the production of life by minority groups, it is an instrument for deconstructing the discourses and violent practices of modernity.
This text is a poetic resistance device. This device throws questions and not conclusions. It is a kind of resistance to times of crisis. Thus, is it possible to pierce molar barriers by poetry? For the sake of micropolitics this essay establishes itself as a political / aesthetic / molecular device of struggle.
Report of an art residency in Buritis, in the Northwest of Minas Gerais. The focus of the work at the residency was to rescue and to recover the memory of the city and its inhabitants, in an effort to reaffirm their local identity. So, the actions sought to involve the community by collecting reports on the history of the city and by promoting interventions in public space. Three groups of works were made: a program on the local radio with reports on the history of Buritis – striking episodes, important characters, picturesque stories – described by elderly residents of the city; a series of paintings on the walls throughout the city, depicting events on the history and the memory of Buritis that appeared repeatedly in the reports; an intervention inspired by the tradition of collectively celebrating weddings in the city, sharing in public space a table with coffee, sweets and biscuits, produced by residents. The affirmation of differences and local particularities, based on the activation and enhancement of the memory of the city and its inhabitants, contribute to processes of (symbolic) territory reconstruction, which is needed in a world ruled by homogenization and elimination of specific features that define the identities of the various places.
Macondo tinha sido um lugar próspero e bem encaminhado até que o perturbasse, corrompesse e explorasse a companhia bananeira, cujos engenheiros provocaram o dilúvio como um pretexto para fugir aos compromissos com os trabalhadores. (Gabriel Garcia Marquez - Cem Anos de Solidão, 1967)
Artivismo, Enclaves, Nós, Temporários, 2013, Pixo e Punks
Onde estética e política se confundem? Se depender do nosso interlocutor, em todos os lugares. Para a conversa da Revista Indisciplinar n°4, recebemos o artista plástico, formado pela Escola de Belas Artes da UFMG, artista de rua, designer gráfico, produtor, rapper, pixador: Comum. Ansioso por ativar politicamente a paisagem, Comum transforma a matéria sensível em apresentação a si da comunidade, uma arte para se reconhecer e ao mesmo tempo se perder na especificidade da urbanidade genérica do Cidadão Comum. Cercados de violência e vandalismo, os temas ideologicamente posicionados de seu trabalho debatem a ação policial, as articulações entre o Estado e a exploração capital e a marginalidade, além de apontarem para competências pouco acessadas, moradores de rua, anarquismo punk, povos ameríndios e toda uma miríade de identificações amorfas nas quais se solveu o proletariado pós-industrial. Antes de tudo, uma conversa sobre afetos, formas de fazer perceber e criar memórias coletivas, não no campo da história, mas no da estética.
Cinco fases de demolición del Proyecto Nova Luz: cinco colores