The Paradox of Literary Emotion

An Ancient Greek Perspective and Some Modern Implications

Autores

  • Dana LaCourse Munteanu Classics Department Ohio State University, Newark, Ohio / USA

Palavras-chave:

Emotional paradox, universality of literature, focalization, historical narrative, journalism versus literary narrative

Resumo

Fifth-century BCE Greek writers (e.g., Isocrates, Pseudo-Andocides) complain that the Athenians might have been more deeply moved by tragedies than by horrific contemporary events. My essay suggests that literary narratives could indeed produce this effect on us through several features. (1) The feeling of personal safety, threatened sometimes by our showing compassion to others (e.g. Euripides’ plays, Thucydides; modern refugee debates) remains intact when we engage in fiction. (2) The proximity to literary characters becomes enhanced by literary narratives (pro ommaton, focalization), in contrast to impersonal journalistic reports. (3) The universality ascribed to a literary piece (Aristotle’s Poetics) could contribute to our emotional immersion into the world of fiction to the detriment of the surrounding reality. While each section starts from ancient Greek authors, the essay will underline some similarities between the classical and the modern ways of engaging with literary narratives.

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Publicado

2018-01-31

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Munteanu, D. L. (2018). The Paradox of Literary Emotion: An Ancient Greek Perspective and Some Modern Implications. Nuntius Antiquus, 13(2), 263–283. Recuperado de https://periodicos.ufmg.br/index.php/nuntius_antiquus/article/view/17111

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