O uso da sonoridade nas Odes Píticas de Píndaro

Autores

  • Leonardo Antunes Universidade de São Paulo

DOI:

https://doi.org/10.17851/1983-3636.5..44-56

Palavras-chave:

Greek, lyric, Pindar, stylistic

Resumo

In this article, we will attempt to analyse certain aspects of Pindar’s style through the study of a few figures of speech that were used by the poet in the Pythian Odes. We will also strive to understand the way by which those structural elements, mostly tied to sound, interact with the remaining aspects and content of those poems. During that analysis, it will become clear that, when studying a poet of great genius such as Pindar, one must read the text and see it through its own rules and, conversely, not by those commonly applied to similar types of poetry.

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Referências

ANTUNES, C. L. B. Ritmo e sonoridade na poesia grega antiga. Uma tradução comentada de 23 poemas. Dissertação de mestrado inédita. São Paulo: DLCV/ FFLCHUSP, 2009.

BURY, J. The Nemean and Isthmian Odes of Pindar. New York: Harvard University Press, 1892.

DORNSEIFF, F. Pindars Stil. Berlin: Weidmannsche Buchhandlung, 1921.

FENNEL, C. Pindar’s Olympian and Pythian Odes. Cambridge: University Press, 1879.

HUMMEL, P. La Syntaxe de Pindare. Paris: Éditions Peeters, 1993.

MEZGER, F. Pindars Siegeslieder. Leipzig: Teubner,1880.

NORWOOD, G. Pindar. Berkeley/ Los Angeles: University of California Press, 1974.

RACE, W. H. Pindar: Olympian Odes, Pythian Odes. Cambridge, Mass./ London: Harvard University Press, 1997.

RACE, W. H. Style and Rhetoric in Pindar’s Odes. Atlanta: Scholars Press, 1990.

WEST, M. L. Introduction to Greek metre. Oxford: Clarendon Press, 1987.

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Publicado

2010-06-30

Como Citar

Antunes, L. (2010). O uso da sonoridade nas Odes Píticas de Píndaro. Nuntius Antiquus, 5, 44–56. https://doi.org/10.17851/1983-3636.5.44-56

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Artigos