Antígona, o fruto de uma cepa deformada Hélia Correia, Perdição
Palavras-chave:
feminism, myth, theatreResumo
This Portuguese Antigone, inspired by the Sophoclean play, puts the accent on different topics. Following Antigone’s behaviour from her childhood, it creates a group of female characters around the heroine and aims at her development as someone growing up from a disturbed family. Her irreverency is not put in service of any ideal, it is the consequence of her desadaptation.
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Referências
ADAMS, S. M. The “Antigone” of Sophocles. Phoenix. (Arizona), v. 9, p. 47-62, 1955.
BOWRA, C. M. Sophoclean tragedy. Oxford: Clarendon Press, 1965.
CALDER, W. M. III, Sóphokles political tragedy, “Antigone”. GRBS. (Durham), v. 9, p. 389-407, 1968.
CORREIA, H. Perdição. Exercício sobre Antígona. Lisboa: Dom Quixote, 1991.
HESTER, D. A. Sophocles the unphilosophical. A study in the “Antigone”. Mnemosyne. (Leiden), v. 24, p. 11-59, 1971.
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McCALL, M. Divine and human action in Sophocles: the two burials of the “Antigone”. YCLS. (Maryland), v. 22, p. 103-117, 1972.
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ROSIVACH, V. R. On Creon, Antigone and not burying the dead. RhM. (Frankfurt), v. 126, p. 193-211, 1983.
SÓFOCLES. Antígona. Versão portuguesa de Maria Helena da Rocha Pereira. Coimbra: INIC, 1984.
SEGAL, C. P. Sophocles’ praise of man and conflicts of the “Antigone”. In: Woodard, Th. (org.). Sophocles, a collection of critial essays. Englewood Cliffs: (Prentice-Hall), 1966, p. 62-85.
WILTSHIRE, S. F. Antigone’s desobedience. Arethusa. (Baltimore), v. 9, p. 29-36, 1976.
