WINKLER, Martin. Ovid on Screen. A Montage of Attractions. Cambridge: Cambridge University Press, 2020. 444 p.
DOI:
https://doi.org/10.35699/1983-3636.2021.33175Palavras-chave:
Ovid, Cinema, ReceptionResumo
Resenha do livro WINKLER, Martin. Ovid on Screen. A Montage of Attractions. Cambridge: Cambridge University Press, 2020. 444 p.
Referências
CALVINO, I. Ovid and Universal Contiguity. In: _____.Why Read the Classics? Transl.: M. McLaughlin. Boston: Houghton Mifflin Harcourt, 1999. p. 25-35.
CAMPOS, A. Metamorfoses das Metamorfoses. In: _____. Verso,reverso, controverso. São Paulo: Perspectiva, 1988. p. 191-198.
HINDS, S. Allusion and Intertext: Dynamics of Appropriation in Roman Poetry. Cambridge: Cambridge University Press, 1998.
OVIDE. Les Métamorphoses. Texte établi par G. Lafaye. Émendé, présenté et traduit par O. Sers. Paris: Les Belles Lettres, 2011.
OVIDE. Tristes. Texte établi et traduit par J. André. Paris: Les Belles Lettres, 2008.
SEMINÁRIO INTERNACIONAL ARCHAI, 11, 2013, Belo Horizonte. Deuses, homens e heróis entre gregos e baianos. Belo Horizonte: FALE/UFMG, 2013. Disponível em: http://www.letras.ufmg.br/padrao_cms/?web=ArchaiXI&lang=1&page=261&menu=152&tipo=1. Acesso em: 05 de abr. 2021.
WINKLER, M. Cinema and Classical Texts: Apollo’s New Light. Cambridge: Cambridge University Press, 2009.
WINKLER, M. Classical Literature on Screen: Affinities of Imagination. Cambridge: Cambridge University Press, 2017.