SALVADOR TERRITORY OF BLACK MUSICALITY

LEISURE AND RESISTANCE

Abstract

The objective of this article is to present some reflections from an
investigation, around a new cultural discourse called Pagode Baiano, which
composes as part of black diasporic and emerges in contemporary as a curricular
component to think about the educacion of ethnical racial relations at the training
environment. Starting from the representations and ethnical racial songs
produced by new musical styles that emerged from the 1990s in Bahia, drawn by
black youths from the periphery, whose oral language, written and body differs
from that pervaded by a history of colonization and becomes appreciating the
musicality of African origin as a mean of cultural expression.
Keywords: musicalidad negra, ocio, resistencia y Educación de las Relaciones
Étnico-raciales