Sobre deuses e homens

definindo masculinidade hegemônica em A canção de Aquiles e Circe, de Madeline Miller

Autores

Palavras-chave:

glória, herói, Homero, Madeline Miller, masculinidade hegemônica

Resumo

Esse artigo investiga a ascensão da reescrita do mundo grego antigo através dos romances A canção de Aquiles e Circe, da autora norte-americana Madeline Miller. Ao invés de focar na construção de personagens femininas em relação ao sistema patriarcal, eu exploro no artigo como os heróis, tais como Aquiles, Odisseu, Telegonus, Telêmaco e Pátroclo, constroem suas identidades masculinas em termos de distanciamento do feminino, a busca por glória, e a dominância sexual. Através da análise de passagens específicas dos romances de MIller e da comparação entre definições antigas e contemporâneas de masculinidade, eu foco em definir e compreender o conceito de masculinidade hegemônica nos escritos de Miller. Ainda, o artigo estabelece uma conexão entre a masculinidade hegemônica e o impacto negativo na identidade pessoal de homens heróicos.

Biografia do Autor

  • Tiago de Melo Cordeiro, Universidade Federal de Minas Gerais (UFMG)

    Mestre em Letras pela Universidade Federal de Minas Gerais. Interesse nas áreas de literatura de língua inglesa, literatura clássica, e teoria da literatura. Também tem como interesse o estudo das masculinidades na literatura. 

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Publicado

2025-04-24

Como Citar

Sobre deuses e homens: definindo masculinidade hegemônica em A canção de Aquiles e Circe, de Madeline Miller. (2025). Nuntius Antiquus, 21(1), 1–32. https://periodicos.ufmg.br/index.php/nuntius_antiquus/article/view/54165