Odes horacianas em asclepiadeus maiores: a perfeição da Ode I 11

Auteurs

  • Heloisa Maria Moraes Moreira Penna Universidade Federal de Minas Gerais

Mots-clés :

Asclepiad meter, Latin poetry, Horace, odes, artistic writing

Résumé

The three odes written in greater asclepiad verse by Horace have a moralizing tone. This meter, with its marked diaereses after the sixth and tenth syllabes, favors exhortative and gnomicexpressions. In ode I 11, Horace explores asclepiad’s metrical characteristics selecting to each part of the verses words and expressions suitable to the rhythmic impression of the tripartite structure.Horace choses his words, rhythms, and images consciously and with great care.

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Références

ACHCAR, Francisco. Lírica e lugar-comum: alguns temas de Horácio e sua presença em português. São Paulo: Edusp, 1994.

ARONSON, Andrew C.; BOUGHNER, Robert. Catullus and Horace: selections from their lyric poetry. New York: Longman, 1988.

COMMAGER, Steele. The Odes of Horace: a critical study. New Haven: Yale University Press, 1962.

FARIA, Ernesto. Fonética histórica do latim. Rio de Janeiro: Acadêmica, 1970.

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HORACE. Odes, épodos e poema secular. Explicados literalmente, traduzidos em português e anotados por Francisco Antônio Picot. Paris: Librairies-Imprimeries Réunies, 1893.

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MARROUZEAU, J. Traité de stylistique latine. Paris: Les Belles Lettres, 1954.

MARTIN, F. Les mots latins: groupés par familles étymologiques. Paris: Hachette, 1941.

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Publiée

2008-06-30

Comment citer

Penna, H. M. M. M. (2008). Odes horacianas em asclepiadeus maiores: a perfeição da Ode I 11. Nuntius Antiquus, 1, 166–178. Consulté à l’adresse https://periodicos.ufmg.br/index.php/nuntius_antiquus/article/view/17321

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