Moving Labyrinths: Virgil’s Art of Multiple Narrative
DOI:
https://doi.org/10.17851/1983-3636.13.2.17-38Parole chiave:
Enéas, Dédalo, Dido, Heródoto, Labirinto, Minotauro, Otávio, Pompeu Sexto, Roma, VirgílioAbstract
Na Eneida, Virgílio cria um labirinto semântico complexo, no qual múltiplas tradições, cada uma pertencendo a um contexto mítico e histórico separado, são elaboradas no que parece ser uma narrativa nova única. Esta nova narrativa está em constante diálogo com seus elementos constitutivos, culminando, assim, em uma geografia de espaço e tempo einsteineana paradoxalmente instável. Nem os leitores nem o herói Enéas podem estar seguros de como se posicionar para compreender o que é visto ou experimentado. Ademais, como mostra a narrativa de Virgílio sobre Dédalo, 1 I owe special thanks to Maria Cecília de Miranda Nogueira Coelho, whose invitation, o primeiro, como o segundo, não apenas se torna um criador e prisioneiro dos labirintos que constrói, mas também induz o leitor a colaborar na sua criação (e na sua fuga).
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