Montag and the lost memory: notes on François Truffaut’s Fahrenheit 451

Abstract

The paper analyzes aspects related to books and memory, in François Truffault’s Fahrenheit 451. It discusses issues related to the prohibition and destruction of books by totalitarian regimes. It emphasizes Montag’s trajectory through the movie and his transformation into a book protector and point out characteristics of the society portrayed in the film, specially its fondness for the image and for the oral information.