A Social-Semiotic Approach to Color Analysis in Digital Media

Theory and Practice

Authors

DOI:

https://doi.org/10.17851/2237-2083.31.4.2009-2065

Keywords:

social semiotics, color theory, grammar of visual design

Abstract

This article aims to discuss the study of color from a social-semiotic perspective. The article begins with an overview of Gunther Kress and Theo van Leeuwen’s distinctive feature approach to color in their Grammar of Visual Design (2021) and concludes that the authors base their claims primarily on paintings and print media, which may skew the categories toward analog media. Drawing on color theory, mainly the contributions of Rhyne (2017), this article argues that social-semiotic analyzes can benefit from systematized and quantitative categories for color analysis, especially for digital media corpora. The article introduces several analytic categories, such as color harmony and the RGB color space, that are relevant to understanding how color works in digital spaces. The paper proposes the use of the free and open source software GIMP and ImageMagick for a qualitative and quantitative approach to the distinctive features of color and for a better understanding of the complexity of colors and their meaning potential. Based on these methodological procedures, the distinctive feature approach is revised with Rhyne’s contribution. Finally, the categories are applied to two stock images as a case study.

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Author Biographies

André de Oliveira Matumoto, Universidade de São Paulo (USP), São Paulo, São Paulo / Brasil

Mestrando em Letras pelo Programa de Pós-Graduação em Filologia e Língua Portuguesa da Universidade de São Paulo (PPG-FLP/USP). Bacharel em Letras (habilitação linguística/português) pela mesma universidade (2017-2022). Realizou a iniciação científica "A construção multimodal do Brasil nos videogames: diálogos entre a sociossemiótica e a ludologia" (2021-2022) sob orientação do Prof. Dr. Paulo Roberto Gonçalves Segundo, do Departamento de Letras Clássicas e Vernáculas (DLCV-USP), e com fomento da Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP) (processo nº 2020/13090-1). Tem como principais interesses de pesquisa os jogos eletrônicos, a multimodalidade e o discurso.

Paulo Roberto Gonçalves-Segundo, Universidade de São Paulo (USP), São Paulo, São Paulo / Brasil

Doutor em Letras (2011) pelo programa de Filologia e Língua Portuguesa, do Departamento de Letras Clássicas e Vernáculas, da Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo (USP). Possui graduação em Letras pela mesma universidade (2005). Tem experiência na área de Linguística, com pesquisas orientadas à articulação entre linguagem, cognição e discurso. Atua, principalmente, no campo da Análise Crítica do Discurso, na interface com a Linguística Sistêmico-Funcional, com a Linguística Cognitiva e com a Teoria da Argumentação; e na área de Linguística Aplicada, pensando na articulação entre gramática e textualidade, por meio de um olhar amparado pelas perspectivas cognitivo-funcional e discursivo-textual.

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Published

2024-10-11

How to Cite

MATUMOTO, A. de O.; GONÇALVES-SEGUNDO, P. R. A Social-Semiotic Approach to Color Analysis in Digital Media: Theory and Practice. Revista de Estudos da Linguagem, [S. l.], v. 31, n. 4, p. 2009–2065, 2024. DOI: 10.17851/2237-2083.31.4.2009-2065. Disponível em: https://periodicos.ufmg.br/index.php/relin/article/view/55258. Acesso em: 21 nov. 2024.

Issue

Vol. 31 No. 4 (2023): Multimodality through the lenses of Kress’ Social Semiotics

Section

Thematic issue 31:4 (2023): Multimodality through the lenses of Kress’ Social Semiotics