Deligny, Rancière e Deleuze: for an inclusive aesthetic

Abstract

In this article we share the writings of post-structuralism authors, the french Jacques Rancière in the works: Le partage du sensible (2009), and L’inconscient esthétique (2009), Fernand Deligny with the work Os vagabundos eficazes (2018) and Gilles Deleuze in the works Logique du sens (2015), and with Félix Guattari in the works Qu'est-ce que la philosophie? (2004), Mille plateaux (2012) and L’Anti-Edipe (2011). The objective is to relate Rancière's concept of aesthetics with Deligny's experience of inclusion, to delimit a possible beginning of an Inclusive Aesthetic Regime of Art, which would create encounters that go beyond our thinking about the encounter with difference, valuing difference in essence without going through a regulatory filter. To this end, a dialogue was also held with other authors who use these references. The search sources were the BDTD, SciELO and Periódico Capes databases without a time frame. We conclude that in history there is no decision to rupture the arts and inclusion already made, but rather a decision to reinterpret the arts and inclusion.