Imagens viajantes no Antigo Oriente:  Intericonicidade para além do espaço e tempo

Davide Nadali

doi:10.31239/vtg.v18i2.53584

Autores

Davide Nadali Sapienza Università di Roma https://orcid.org/0000-0002-0188-2071

DOI:

https://doi.org/10.31239/vtg.v18i2.53584

Palavras-chave:

arqueologia das imagens, repetitividade iconográfica, imagens viajantes

Resumo

Este artigo explora o fenômeno de imagens viajantes no antigo Oriente Médio, abordando como elas transcendem o espaço e o tempo. A partir da teoria arqueológica, especialmente a "arqueologia das imagens" (Bildarchäologie), é proposta uma visão crítica sobre a vida das imagens, desde sua criação até sua reutilização ou destruição. Focando nas interconexões iconográficas a partir da Mesopotâmia, destaca-se a importância da repetitividade e da adaptação de motivos visuais em novos contextos culturais. Assim podemos compreender como as imagens funcionavam enquanto veículos de comunicação, refletindo e influenciando as dinâmicas sociais e políticas das sociedades antigas.

Downloads

Não há dados estatísticos.

Referências

Archi, A. (2015). Ebla and its archives. texts, history, and society. Berlin: De Gruyter.

Artemov, N. (2018). Ideology and propaganda. some reflections on two problematic terms. Em Kleber, K., Neumann, G., & Paulus, S. (orgs.). Grenzüberschreitungen. Studien zur Kulturgeschichte des Alten Orients. Festschrift für Hans Neumann zum 65. Geburtstag am 9 (Dubsar 5) (pp. 43-57). Münster: Zaphon.

Ataç, M. A. (2019). Reconstructing artistic environments. Em Gunter, A.C. (org.). A Companion to Ancient Near Eastern art (pp. 507-529). Malden and Oxford: Wiley.

Azarpay, G. (1989). The Neo-Sumerian canon of proportions in art. Em De Meyer L., & Haerinck E. (org.). Archeologica Iranica et Orientalis I-II (pp.162-180). Miscellanea in Honorem L. Vanden Berghe. Ghent: Peeters Press.

Azarpay, G. (1990). A canon of proportions in the art of the Ancient Near East. Em Gunter, A. C. (org.). A Companion to Ancient Near Eastern Art (pp. 93-103). Malden and Oxford: Wiley.

Bagg, A. (2016). Where is the public? A new look at the brutality scenes in Neo-Assyrian royal inscriptions and art. Em Battini, L. (org.). Making pictures of war. Realia et imaginaria in the iconology of the Ancient Near East (pp. 57-82). Oxford: Archaeopress.

Bahrani, Z. (2003). The graven image. Representation in Babylonia and Assyria. Philadelphia: University of Pennsylvania Press.

Bahrani, Z. (2008). Rituals of war: the body and violence in Mesopotamia. New York: Zone Books.

Balke, T. E. (2016). The interplay of material, text, and iconography in some of the oldest “legal” documents. Em Balke, T. E., & Tsouparopoulou, C. (orgs.). Materiality of writing in Early Mesopotamia (pp. 73-94). Berlin: De Gruyter.

Battini, L. (2013). Popular art and official art: a possible and useful classification in Mesopotamian iconography. Res Antiquitatis, 4, 57-78.

Belting, H. (2001). Bild-Anthropologie. Entwürfe für eine Bildwissenschaft. München: W. Fink.

Belting, H. (2005). Image, medium, body: a new approach to iconology. Critical Inquiry, 31(2), 302-319.

Berlejung, A. (1998). Die Theologie der Bilder. Herstellung und Einweihung von Kultbildern in Mesopotamien und die alttestamentliche Bilderpolemik (Orbis Biblicus et Orientalis 162). Fribourg and Göttingen: Universitätsverlag / Vandenhoeck & Ruprecht.

Bleibtreu, E. (1994). Festungsanlagen auf neuassyrischen Rollsiegeln und Siegelabrollungen. Em Dietrich, M., & Loretz, O. (orgs.). Beschreiben und Deuten in der Archäologie des Alten Orients. Festschrift für Ruth Mayer-Opificius, AVO 4, (pp. 7-14). Münster: Ugarit-Verlag.

Bonfiglio, R. (2016). Reading images, seeing texts: towards a visual hermeneutics for Biblical Studies (Orbis Biblicus et Orientalis 280). Fribourg and Göttingen: Universitätsverlag / Vandenhoeck & Ruprecht.

Borg, B. E. (2010). Perfomanz und Bildinszenierung am Übergang zur Spätantike. Em Juwig, C., & Kost, C. (orgs.). Bilder in der Archäologie – eine Archäologie der Bilder? (pp. 235-248). Münster: Waxmann Verlag GmbH.

Cooper, J. S. (2008). Incongruent corpora: writing and art in Ancient Iraq. Em Taylor, P. (org.). Iconography without texts (pp. 69-94). Warburg Institute Colloquia 13. Torino: Aragno.

Didi-Huberman, G. (2002). L’image survivante. Histoire de l’art et temps de fantômes selon Aby Warburg. Paris: Les Éditions de Minuit.

Dolce, R. (2018). Losing one’s head in the Ancient Near East: interpretation and meaning of decapitation. London: Routledge.

Downes, S. (2019). Agency. Em Gunter, A. C. (org.). A companion to Ancient Near Eastern art (pp. 333-357). Malden and Oxford: Wiley.

Evans, J. M. (2012). The lives of Sumerian sculpture: an archaeology of the Early Dynastic Temple. Cambridge: Cambridge University Press.

Foster, B. R. (1996). Before the muses. An Anthology of Akkadian literature. Bethesda: CDL Press.

Frankfort, H., Frankfort, H. A., Wilson J. A., & Jacobsen, T. (1949). Before philosophy. Harmondsworth: Penguin Books.

Frankfort, H. (1954). The art and architecture of the Ancient Orient. Harmondsworth: Penguin Books.

Frankfort, H. (1992). Il dio che muore. Mito e cultura del mondo preclassico. Firenze: La Nuova Italia.

Freedberg, D. (2018). Gombrich and Warburg: making and matching, grasping and comprehending. Em Moser-Ernst, S. (org.). Art and the Mind – Ernst H. Gombrich. Mit dem Steckenpferd unterwegs (pp. 39-62). Göttingen: Vandenhoeck & Ruprecht.

Gallese, V. (2012). Aby Warburg and the dialogue among aesthetics, biology and physiology. Ph, 2, 48-62.

Gillmann, N. (2010). Rois et génies: quelques exemples d’application du canon dans l’art néo-assyrien. Syria, 87, 69-91.

Glassner, J.-J. (2017). Presentifier l’Invisible? Reflexions autour des termes ṣalmu, tamšīlu et uṣurtu. Journal of Cuneiform Studies, 69(1), 213-220.

Gombrich, E. H. (1984). Art and illusion. A study in the psychology of pictorial representation. London: Phaidon.

Gunter, A. C. (2019). The “art” of the “Ancient Near East”. Em Gunter, A. C. (org.). A companion to Ancient Near Eastern art (pp. 1-21). Malden and Oxford: Wiley.

Heydemann, N. (2015). The art of quotation. Forms and themes of the art quote, 1990-2010. An essay. Visual Past, 2(1), 11-64.

Juwig, C., & Kost, C. (2010). Bilder in der Archäologie – eine Archäologie der Bilder? Einleitende Bemerkungen. Em Juwig, C., & Kost, C. (orgs.). Bilder in der Archäologie – eine Archäologie der Bilder? (pp. 13-32). Münster: Waxmann Verlag GmbH.

Knappett, C. (2014). Materiality in archaeological theory. Em Smith, C. (org.). Encyclopedia of global archaeology (pp. 4700-4708). New York: Springer.

Laboury, D. (2017). Tradition and creativity. Toward a study of intericonicity in Ancient Egyptian art. Em Gillen, T. (org.). (Re)productive traditions in Ancient Egypt (pp. 229-258). Collection Ægyptiaca Leodiensia 10. Liège: Presses Universitaires de Liège.

Matthiae, P. (2009). Warburg e l’archeologia orientale. Em Cieri Via, C., & Forti, M. (orgs.). Aby Warburg e la cultura italiana (pp. 79-86). Roma: Edizioni di storia e letteratura.

Meskell, L. (ed.). (2005). Archaeologies of materiality. Malden and Oxford: Wiley.

Mitchell, W. J. T. (1994). Picture theory. University Press, Chicago.

Mitchell, W. J. T. (2005). What do pictures want? The lives and loves of images. Chicago University Press, Chicago.

Mitchell, W. J. T. (2015). Image science: iconology, visual culture and media aesthetics. University of Chicago Press, Chicago.

Moortgat, A. (1934). Bildwerk und Volkstum Vorderasiens zur Hethiterzeit. Leipzig: J. C. Heinrichs.

Moortgat, A. (1949). Tammuz. Der Unsterblichkeitsglaube in der Altorientalischen Bildkunst. Walter de Gruyter, Berlin.

Morandi, D. (1988). Stele e statue reali assire. Localizzazione, diffusione e implicazioni ideologiche. Mesopotamia, 23, 106-155.

Nadali, D. (2009-2010). Neo-Assyrian state seals: an allegory of power. SAAB, XVIII, 215-244.

Nadali, D. (2012). Interpretations and translations, performativity and embodied simulation. Reflections on Assyrian images. Em Lanfranchi, G. B., Morandi Bonacossi, D., Pappi, C., & Ponchia, S. (orgs.). Leggo! Studies presented to Prof. Frederick Mario Fales on the Occasion of his 65th Birthday (Leipziger Altorientalische Studien, 2) (pp. 583-595). Wiesbaden: Harrassowitz-Verlag.

Nadali, D. (2014). Categorizing images and objects: where and how ancient artefacts might be evaluated. Em Bieliński, P., Gawlikowski, M., Koliński, R., Ławecka, D., Sołtysiak, A., & Wygnańska, Z. (orgs.). Proceedings of the 8th ICAANE 30 April - 4 May 2012, University of Warsaw Volume 1: Plenary Sessions, Township and Villages, High and Low - The Minor Arts for the Elite and for the Populace (pp. 467-476). Wiesbaden: Harrassowitz-Verlag.

Nadali, D. (2016). Images of war in the Assyrian Period: what they show and what they hide. Em Battini, L. (org.). Making Pictures of War. Realia et imaginaria in the iconology of the Ancient Near East (pp. 83-88). Archaeopress, Oxford.

Nadali, D. (2018). The phenomenology of the copy in Assyria: on the coexistence of two beings. Em Di Paolo, S. (org.). Implementing meanings: the power of the copy between past, present and future. An Overview from the Ancient Near East, AVO 19, (pp. 195-208). Münster: Ugarit-Verkag.

Nadali, D. (2019). Speaking pictures, writing words: on the interplay of communication in Ancient Mesopotamia. SMEA NS, 5, 47-58.

Nadali, D., & Portuese, L. (2020). Archaeology of images: context and intericonicity in Neo-Assyrian art. Em Bracker, J. (Org.). Homo Pictor: image studies and archaeology in dialogue (pp. 127-157). Freiburger Studien zur Archäologie und visuellen Kultur, Band 2. Heidelberg: Propylaeum.

Nadali, D., & Verderame, L. (2019). Neo-Assyrian statues of Gods and Kings in context. Integrating textual, archaeological and iconographic data on their manufacture and installation. Altorientalische Forschungen, 46(2), 234-248.

Nigro, L. (1998). The Two Steles of Sargon: iconology and visual propaganda at the beginning of Royal Akkadian Relief. Iraq, 60, 85-112.

Nissen, H. J. (1993). The context of the emergence of writing in Mesopotamia and Iran. Em Curtis J. (org.). Early Mesopotamia and Iran: contact and conflict 3500-1600 BC (pp. 54-71). London: British Museum Press.

Pinotti, A. (2001). Memorie del neutro. Morfologia dell'immagine in Aby Warburg. Milano: Mimesis.

Postgate, J. N. (1992). Early Mesopotamia. Society and economy at the dawn of history. London and New York: Routledge.

Radner, K. (2008). The delegation of power: Neo-Assyrian bureau seals. Em Briant, P, Henkelman, W. F. M., & Stolper, M. W. (org.). L’archive des Fortifications de Persépolis. État des questions et perspectives de recherches (Persika 12) (pp. 481-515). Paris: De Boccard.

Radner, K. (2011). Fame and prizes: competition and war in the Neo-Assyrian empire. Em Fisher, N., & Van Wees, H. (org.). Competition in the Ancient World. The Classical Press of Wales (pp. 37-57). Swansea: The Classical Press of Wales.

Roßberger, E. (2018). Showing off: Old Babylonian “goddess in a structure” plaques revisited. Em Attinger, P., Cavigneaux, A., Mittermayer, C., & Novák, M. (org.). Text and Image (pp. 383-398). Proceedings of the 61e Rencontre Assyriologique Internationale, Geneva and Bern, 22-26 June 2015 (OBO SA 40), Peeters, Leuven.

Russell, J. M. (1999). The writing on the wall. Studies in the architectural context of Late Assyrian palace inscriptions. Winona Lake: Eisenbrauns.

Samida, S. (2010). Nach dem iconic turn: Aspekte einer bildwissenschaftlichen Programmatik in der Archäologie. Em Juwig C., & Kost C. (org.). Bilder in der Archäologie – eine Archäologie der Bilder? (pp. 95-109). Münster: Waxmann Verlag GmbH.

Tilley, C. (2004). The materiality of stone. Explorations in landscape phenomenology: 1. Oxford and New York: Routledge.

Wagner-Durand, E. (2015). Mehr als (Ab-)Bilder! – Bildwahrnehmung in der ersten Hälfte des ersten vorchristlichen Jahrtausends in Mesopotamien. Visual Past, 2(1), 347-388.

Winter, I. J. (1999). Tree(s) on the mountain: landscape and territory on the Victory Stele of Naram-Sîn of Agade. Em Milano, L., De Martino, S., Fales, F. M., & Lanfranchi, G. B. (org.). Landscapes: territories, frontiers and horizons in the Ancient Near East (pp.63-72). Padova: Sargon s.r.l.

Winter, I. J. (2000). Le Palais imaginaire: scale and meaning in the iconography of Neo-Assyrian cylinder seals. Em Uehlinger C. (org.). Images as Media: Sources for the Cultural History of the Near East and the Eastern Mediterranean (1st millennium BCE) (pp. 51-87). Orbis Biblicus et Orientalis 175. Fribourg and Göttingen: Universitätsverlag / Vandenhoeck & Ruprecht.

Winter, I. J. (2003). Surpassing work: mastery of materials and the value of skilled production in Ancient Sumer. Em Potts T., Roaf M., & Stein D. (org.). Culture through objects. Ancient Near Eastern Studies in honour of P.R.S. Moorey (pp. 403-421.). Oxford: Griffith Institute.

Imagens viajantes no Antigo Oriente

Intericonicidade para além do espaço e tempo

Autores

DOI:

Palavras-chave:

Resumo

Downloads

Referências

Downloads

Publicado

Como Citar

Edição

Seção

Licença

Enviar Submissão

Idioma

Informações