Odes horacianas em asclepiadeus maiores: a perfeição da Ode I 11
Parole chiave:
Asclepiad meter, Latin poetry, Horace, odes, artistic writingAbstract
The three odes written in greater asclepiad verse by Horace have a moralizing tone. This meter, with its marked diaereses after the sixth and tenth syllabes, favors exhortative and gnomicexpressions. In ode I 11, Horace explores asclepiad’s metrical characteristics selecting to each part of the verses words and expressions suitable to the rhythmic impression of the tripartite structure.Horace choses his words, rhythms, and images consciously and with great care.
Downloads
Riferimenti bibliografici
ACHCAR, Francisco. Lírica e lugar-comum: alguns temas de Horácio e sua presença em português. São Paulo: Edusp, 1994.
ARONSON, Andrew C.; BOUGHNER, Robert. Catullus and Horace: selections from their lyric poetry. New York: Longman, 1988.
COMMAGER, Steele. The Odes of Horace: a critical study. New Haven: Yale University Press, 1962.
FARIA, Ernesto. Fonética histórica do latim. Rio de Janeiro: Acadêmica, 1970.
FERREIRA, Antônio Gomes. Dicionário latim-português. Porto: Porto Editora, 1987.
GLARE, P. G. W. (ed.). Oxford Latin dictionary. London: Oxford University Press, 2005.
HORACE. Horace, Odes et épodes. Texte établi et traduit par F. Villeneuve. Paris: Les Belles Lettres, 2002. Tome I.
HORACE. Odes, épodos e poema secular. Explicados literalmente, traduzidos em português e anotados por Francisco Antônio Picot. Paris: Librairies-Imprimeries Réunies, 1893.
LEE, M. O. Word, sound, and image in the Odes of Horace. Ann Arbor: The University of Michigan Press, 1969.
MARROUZEAU, J. Traité de stylistique latine. Paris: Les Belles Lettres, 1954.
MARTIN, F. Les mots latins: groupés par familles étymologiques. Paris: Hachette, 1941.