¿’Paramimo’ en Aristófanes?
Nubes, vv. 1-132
DOI:
https://doi.org/10.35699/1983-3636.2021.29609Palavras-chave:
parodia, mimo, Nubes de Aristófanes, HerondasResumo
Es conocida la capacidad de la comedia antigua para incorporar en su seno citas, adaptaciones, alusiones, parodias o préstamos de obras de diferentes géneros. Detectarlos ha sido una preocupación temprana de comentadores y críticos. En esa dirección, proponemos en este trabajo la hipótesis de que en los primeros versos de Nubes de Aristófanes –de características peculiares, y hasta contrastantes comparadas con el resto de la producción del autor– haya una parodia al género del mimo, por presentar muchas de sus notas más genuinas. Entre otras: un ambiente intimista, caracteres profundamente delineados y la adhesión a una estética realista.
Referências
ARISTOPHANES. Birds, Lysistrata, Assembly-Women, Wealth. Translated with an Introduction and Notes by Stephen Halliwell. Oxford: Oxford University Press, 1998.
ARISTOPHANES. Clouds, Women at the Thesmophoria, Frogs. A Verse Translation, with Introduction and Notes by Stephen Halliwell. Oxford: Oxford University Press, 2015.
ARNOTT, G. Comic Openings. In SLATER, N.; ZIMMERMANN,
B. (eds.). Intertextualität in der griechisch-roemischen Komoedie.
Stuttgart: M & P Verlag, 1993. p. 14–32.
ARNOTT, W. The Women in Herodas, Mimiamb 4. Corolla Londiniensis, Amsterdam, v. 4, p. 10-12, 1984.
BAKOLA, E. Cratinus and the Art of Comedy. Oxford: Oxford
University Press, 2010.
BAKOLA, E.; PRAUSCELLO, L.; TELÒ, M. (eds.). Greek Comedy
and the Discourse of Genres. Cambridge: Cambridge University Press,
BARBIERI, V. Eroda: Mimiambi. Milano: La Vita Felice, 2016.
BOTHER, K. Epicharmus and Early Sicilian Comedy. In: REVERMANN, M. (ed.). The Cambridge Companion to Greek Comedy. Cambridge: Cambridge University Press, 2014. p. 79-94.
CARRIÈRE, J.C. Le carnaval et la politique. Une introduction à la Comédie grecque, suivre d’un choix de fragments. Paris: Les Belles Lettres, 1979.
CAVALLERO, P. Herondas y la tradición comediográfica. Anales de Filología Clásica, Buenos Aires, v. 15, p. 21-93, 1997.
CAVALLERO, P. Trygoidía: la concepción trágica de Nubes de Aristófanes. Emerita, Madrid, v. 74, n.1, p. 89-112, 2006.
CAVALLERO, P.; FRENKEL, D. FERNÁNDEZ, C.; COSCOLLA, M.;
BUZÓN, R. Nubes de Aristófanes. Edición bilingüe con Introducción, notas y apéndice. Buenos Aires: Universidad de Buenos Aires, 2008
CUNNINGHAM, I. Herodas, Mimiambi. Edited with Commentary, and Appendices. Oxford: Clarendon Press, 1971.
DALY, L. Aristophanes and Sophron. American Journal of Philology, Baltimore, v. 103, n.1, p. 86-88, 1982.
DEARDEN, C. The Stage of Aristophanes. London: Athlone Press, 1976.
DEGANI, E. Studi su Ipponatte. Bari: Adriatica, 1984.
DI GREGORIO, L. Eronda: Mimiambi (I-IV). Milano: Vita e Pensiero,
DOBROV, G. The Dawn of Farce: Aristophanes. Themes in Drama,
Cambridge, v. 10: Farce, p. 15-31, 1988.
DOVER, K. Aristophanes: Clouds. Oxford: Clarendon Press, 1968. ESPOSITO, E. Herodas and the Mime. In: CLAUSS, J.; CUYPERS,
M. (eds.). A Companion to Hellenistic Literature. Malden: Wiley-
Blackwell, 2010. p. 267-81.
EUBEN, J. When There Are Grey Skies: Aristophanes Clouds and the Political Education of Democratic Citizens. The South Atlantic Quarterly, Durham, v. 95, p. 881-918, 1996.
FARMER, M. Tragedy on the Comic Stage. Oxford: Oxford University Press, 2017.
FERNÁNDEZ, C. N. El cuerpo del esclavo como (cuerpo de) texto en los mimos de Herondas. Aitia. Regards sur la culture hellénistique au XXI siècle, Lyon, v. 11.1, 2021, p. 1-17.
FERNÁNDEZ DELGADO, J. El hipotexto cómico del mimo: de las “Nubes” de Aristófanes al “Didáscalos” de Herodas. Anuario de Estudios Filológicos, Cáceres, v. 30, p. 95-113, 2007.
FINNEGAN, R. Women in Herodian Mime. Hermathena, Dublin, v. 152, p. 21-37, 1992.
FISHER, R. Aristophanes’ Clouds. Purpose and Technique. Amsterdam:
Hakkert, 1984.
FISHER, R. The Relevance of Aristophanes: a New Look at Clouds. Greece and Rome, Oxford, v. 35, n.1, p. 23-28, 1988.
FOLEY, H. Tragedy and Politics in Aristophanes’ Acharnians. In: SCODEL, R. (ed.). Theater and Society in the Classical World. Ann Arbor: The University of Michigan Press, p. 119-38, 1993.
GREEN, P. Strepsiades, Socrates and the Abuses of Intellectualism. Greek, Roman and Byzantine Studies, Durham, v. 20, p. 15-25, 1979.
GRIFFITH, R. Strepsiades’ Bedroom, Wife, and Sufferings: Three Notes on the Prologue of. Aristophanes’ Clouds. Prometheus, Firenze, v. 19, p. 135-140, 1993.
GRILLI, A. Aristofane. Le Nuvole. Introduzione, traduzione e note di
Alessandro Grilli. Testo greco a fronte. Milano: Bur, 1991.
GUIDORIZZI, G. Aristofane. Le nuvole. A cura di G. Guidorizzi. Milano: Mondadori, 2002.
HARRIOT, R.M. Aristophanes. Poet & Dramatist. Baltimore: Johns Hopkins University Press, 1986.
HENDERSON, J. The Maculate Muse. Obscene Language in Attic
Comedy. New York: Oxford University Press, 1991.
HONDERN, J. Sophron’s Mimes. Text, Translation, and Commentary. Oxford: Oxford University Press, 2004.
HUBBARD, T. The Mask of Comedy. Aristophanes and the Intertextual
Parabasis. Ithaca: Cornell University Press, 1991.
HUNTER, R. The Presentation of Herodas’ Mimiamboi. Antichton,
Sydney, v. 27, p. 31-44, 1993.
HUNTER, R. Plautus and Herodas. In: BENZ, L. (ed.) Plautus und die
Tradition des Stegreifspiels. Tübingen: Narr, 1995. p. 155-69.
HUNTER, R. Theocritus and the Archaeology of Greek Poetry.
Cambridge: Cambridge University Press, 1996.
HUTCHEON, L. A Theory of Parody. The Teachings of Twentieth-
Century Art Forms. New York: Methuen, 1985.
KAIMIO, M. Comic Violence in Aristophanes. Arctos, Helsinki, v. 24, p. 47–72, 1990.
KOPFF, E. The Date of Aristophanes Nubes II. American Journal of Philology, Baltimore, v. 111, n. 3, p. 318-329, 1990.
KONSTAN, D. The tyrant Goddess: Herodas’ Fifth Mime. Classical
Antiquity, Berkeley, v. 8, n. 2, p. 267-82, 1989.
KONSTANTAKOS, I. ‘My Kids for Sale’: The Megarian’s Scene in Aristophanes’ Acharnians (729–835) and Megarian Comedy. Logeion, Patras, v. 2, p. 121-66, 2012.
KUGELMEIER, C. Reflexe früher und zeitgenössischer Lyrik in der alten attischen Komödie. Berlin: De Gruyter, 1996.
KUZKO, D. In Pursuit of Sophron Doric Mime and Attic Comedy in Herodas’ Mimiambi. In: BOSHER, K. (ed.). Theater outside Athens: Drama in Greek Sicily and South Italy. Cambridge: Cambridge University Press, 2016. p. 367-90.
LAURIOLA, R. Praeteritio, Mimesis and Parody: Synergistics Strands in the Fabric of Aristophanes’ Comedies”, Aion, Napoli, v. 34, p. 63-93, 2012.
MACDOWELL, D. Clowning and Slapstick in Aristophanes. Themes
in Drama, Cambridge, v. 10: Farce, p. 1-13, 1988.
MACDOWELL, D. Aristophanes and Athens. An Introduction to the Plays. Oxford: Oxford University Press, 1995.
MARZULLO, B. Strepsiade, Maia. Bologna, v. 6, p. 99-124, 1953.
MASTROMARCO, G. The Public of Herondas. Amsterdam: J.C. Gieben, 1984.
MASTROMARCO, G. Commedie di Aristofane. A cura di Giuseppe Mastromarco. Volume primo. Torino: Unione Tipografico-Editrice Torinese, 1993.
MASTROMARCO, G. Introduzione a Aristofane. Bari: Editore Laterza,
MAUDUIT, C. A la porte de la comédie. Pallas, Toulouse, v. 54, p. 25- 40, 2000.
MELERO, A. Consideraciones en torno a los mimiambos de Herodas.
Cuadernos de Filología Clásica, Madrid, v. 7, p. 303-17, 1974.
MIRALLES, C. La poetica di Eroda. Aevum(ant), Milano, v. 5, p. 89-
, 1992.
MURPHY, Ch. Popular Comedy in Aristophanes. American Journal of Philology, Baltimore, v. 93, p. 169-189, 1972.
NAPOLITANO, M. Forme e funzioni del prologo nella commedia di Aristofane. Il caso dei Cavalieri. Lessico del comico, Milano, v.1, p. 98-113, 2016.
NELSON, T. The Shadow of Aristophanes: Hellenistic Poetry’s Reception of Comic Poetics. In: WAKKER, G.; HARDER, M.; REGTUIT, R. (eds.). Drama and Performance in Hellenistic Poetry. Leuven: Peeters, 2018. p. 225-271.
O’REAGAN, D. Rhetoric, Comedy and Violence of Language in Aristophanes Clouds. Oxford: Oxford University Press, 1992.
PANAYOTAKIS, C. Hellenistic Mime and Its Reception in Rome. In: FONTAINE, M.; SCAFURO, A. (eds.). The Oxford Handbook of Greek and Roman Comedy. Oxford: Oxford University Press, 2014. p. 378- 396.
PUCCI, P. Saggio sulle Nuvole. Maia, Bologna, v. 12, p. 3-32; 106-129, 1960.
RAU, P. Paratragodia: Untersuchung einer komischen Form des
Aristophanes. München: Beck, 1967.
RECKFORD, K. Father-beating in Aristophanes’ Clouds. In: BERTMAN, S. (ed.). The Conflict of Generations in Ancient Greece and Rome. Amsterdam: B. R. Griiner, 1976. p. 89-118.
RECKFORD, K. Strepsiades as a Comic Ixion. Illinois Classical Studies, Urbana, v. 16, p. 125-136, 1991.
REVERMANN, M. Introduction. In: REVERMANN, M. (ed.). The Cambridge Companion to Greek Comedy. Cambridge: Cambridge University Press, 2014. p. 1-26.
RODRIGUEZ ALFAGEME, I. La structure scénique du prologue chez Aristophane. In: THIERCY, P.; MENU, M. (eds.) Aristophane: La langue, la scène, la cité. Bari: Levante editori, 1997. p. 43-65.
SIDWELL, K. Aristophanes the Democrat. Cambridge: Cambridge
University Press, 2010.
SILK, M. Aristophanic Paratragedy. In: SOMMERSTEIN, A.; HALLIWELL S. et al. (eds.). Tragedy, Comedy and the Polis. Bari: Levante, 1993, p. 477-504.
SMOTRYTSCH, A. Die Vorgänger des Herondas. Acta Antiqua
Academiae Scientiarum Hungaricae, Budapest, v. 4, p. 61-75, 1966.
STOREY, I. The Dates of Aristophanes’ Clouds II and Eupolis’ Baptai, a replay to E.C. Kopff. American Journal of Philology, Baltimoire, v. 114, n.1, p. 71-84, 1993.
TAPLIN, O. Tragedy and Trugedy. Classical Quarterly, Cambridge, v.
, p. 331-333, 1983.
TEDESCHI, G. Commedia attica e farsa dorica: il mestiere di far ridere.
In DARIS, S.; TEDESCHI, G. (eds.). Memoria renovanda. Giornata di studi in memoria di Carlo Corbato. Trieste: Deputazione storia patria
per la Venezia Giulia, 2007. p. 57-82.
TELÒ, M. Embodying the Tragic Father(s): Autobiography and Intertextuality in Aristophanes. Classical Antiquity, Berkeley, v. 29, n. 2, p. 278-326, 2010.
THIERCY, P. Aristophane: fiction et dramaturgie. Paris: Les Belles Lettres, 1986.
THIERCY, P. L’amour à la cuisine ou la sexualité quotidienne chez Aristophane. In: LÓPEZ EIRE, A. (ed.) Sociedad, política y la literatura: comedia griega antigua. Salamanca: Logo, p. 219-229, 1997.
TREU, M. Il prologo nella traduzione e nella messa in scena. Lessico del comico, Milano, v.1, p. 117-126, 2016.
VENERONI, B. Allacciamenti tematici tra la commedia greco-latina ed il mimo di Eroda. Rendiconti dell’Istituto Lombardo, Milano, v. 107, p. 760-772, 1973.
WIEMKEN, H. Der griechische Mimus. Dokumente zur Geschichte des antiken Volkstheaters. Bremen: Schünemann Universitätsverlag, 1972.
WRIGHT, M. The Comedian as Critic: Greek Old Comedy and Poetics.
London: Bristol Classical Press, 2012.
ZANETTO, G. Tragodìa versus Trugodìa: La rivalità letteraria. In: MEDDA, E.; MIRTO, M.; PATTONI, M. (eds.). Komoidotragoidía: Intersezioni del tragico e del comico nel teatro del V secolo a.C. Pisa: Edizioni della Normale, 2006. p. 307-326.
ZANKER, G. Herodas: Mimiambs. Oxford: Oxbow, 2009. ZIMMERMANN, B. Pathei mathos: strutture tragiche nelle Nuvole
Aristofane. In: MEDDA, E.; MIRTO, M.; PATTONI, M. (eds.).
Komoidotragoidía: Intersezioni del tragico e del comico nel teatro del V secolo a.C. Pisa: Edizioni della Normale, 2016. p. 327-335.