Relativismo cultural e a virada visual
DOI:
https://doi.org/10.17851/2317-2096.10..14-29Resumo
Relativismo Cultural e a Virada VisualDownloads
Referências
ALLERT, B. (ed.) Languages of Visuality: Crossings between Science, Art, Politics, and Literature. Detroit: Kritik, 1996.
BARTHES, R. Camera Lucida: Reflections on Photography. Trad. Richard Howard. Nova York: Hill and Wang, 1988.
BAUDRILLARD, J. Simulacra and Simulations. In: POSTER, Mark (ed.). Selected Writtings. Stanford, CA: Stanford University Press, 1988.
BOORSTIN, D.J. The Image. Nova York: Harper & Row, 1961.
BRENNAN, T.; JAY, M. (ed.). Vision in Context: Historical and Contemporary Perspectives on Sight. Nova York: Routledge, 1966.
CLIFFORD, J. The Predicament of Culture: Twentieth-Century Ethnography, Literature and Art. Cambridge, MA: Harvard University Press, 1988.
COMOLLI, J.-L. Machines of the Visible. In: LAURETIS, Teresa de; HEATH, Stephen (ed.). The Cinematic Apparatus. Nova York: St. Martins Press, 1985.
CRARY, J. Suspensions of Perception: Attention, Spectacle, and Modem Culture. Cambridge, MA: MIT Press, 1999.
DEBORD, G. The Society of the Spectacle. Trad. Donald Nicholson-Smith. Nova York: Zone Books, 1944.
DEBRAY, R. Media Manifestos: On the Technological Transmission of Cultural Forms. Trad. Eric Rauth. Londres: Verso, 1996.
EAGLETON, T. The Idea of Culture. Oxford: Blackwell, 2000.
ECO, U. Critique of the Image. In: BURGIN, Victor (ed.). Thinking Photography. Londres: Macmillan, 1982.
FOSTER, H. (ed.). Vision and Visuality. Seattle: Bay Press, 1988.
GEBAUER, G.; WULF, C. Mimesis: Art-Culture-Society. Trad. Don Reneau. Berkeley: University of California Press, 1995.
HARTMAN, G. H. The Fateful Question of Culture. Nov a York: Columbia University Press, 1997.
HEYWOOD, I.; SANDYWELL, B. Interpreting Visual Culture: Explorations in the Hermeneutics of the Visual. Londres: Routledge, 1999.
JAY, M. Scopic Regimes of Modernity. In: FOSTER, Hal (ed.). Vision and Visuality. Seattle: Bay Press, 1988.
JAY, M. Downcast Eyes: The Denigration of Vision in 20'h-Century French Thought. Berkeley: University of California Press, 1993.
JAY, M. The Debate over Performative Contradiction: Habermas and the Post-Structuralists. In: ______. Force Fields: Between Intellectual History and Cultural Critiue. Nova York: Routledge, 1993.
JAY, M. The Menace of Consilience: Keeping the Disciplines Unreconciled. In: FOSHAY, R. (ed.). Valences of interdisciplinarity: theory, practice, pedagogy. Edmonton, CA: AU Press, Athabaca University, 2011.
JENKS, C. (ed.) Visual Culture. Londres: Routledge, 1995.
KAUFMANN, T. D. Response to the Visual Culture Questionnaire, October, 1996.
KIRBY, J. T. Classical Greek Origins of Western Aesthetic Theory. In: ALLERT, B. (ed.). Languages of Visuality. Detroit: Kritik, 1996.
LATOUR, B. We Have Never Been Modem. Trad. Catherine Porter. Cambridge, MA: Harvard University Press, 1993.
LEVIN, D.M. (ed.). Modernity and the Hegemony of Vision. Berkeley: University of California Press, 1993.
LEVIN, D. M. Sites of Vision: The Discursive Construction of Sight in the History of Philosophy. Cambridge, MA: MIT Press, 1997.
LYOTARD, J.-F. The Differend: Phrases in Dispute. Trad. Georges Van Den Abbeele. Minneapolis: University of Minnesota Press, 1988.
MACDOUGALL, D. Transcultural Cinema. ed. Lucien Taylor. Princeton, NJ: Princeton University Press, 1998.
MARKUS, G. Culture: The Making and the Make-up of a Concept (An Essay in Historical Semantics). Dialectical Anthropology, [s.l.], v. 18, n. 1, p. 3-29, 1993.
MELVILLE, S.; READINGS, B. (ed.). Vision and Textuality. Durham: University of North Carolina Press, 1995.
MIRZOEFF, N. (ed.). The Visual Culture Reader. Londres: Routledge, 1998.
MIRZOEFF, N. An Introduction to Visual Culture. Londres: Routledge, 1999.
MITCHELL, W. J. T. (ed.). The Languages of Images. Chicago: University of Chicago Press, 1980.
MITCHELL, W. J. T. Nature and Convention: Gombrich’s Illusions. In: ______. Iconology: Image, Text, Ideology. Chicago: University of Chicago Press, 1986.
MITCHELL, W. J. T. The Pictorial Tum. In: ______. Picture Theory. Chicago: University of Chicago Press, 1994.
MULHERN, F. Culture/Metaculture. Londres: Routledge, 2000.
PANOFSKY, E. Perspective as Symbolic Form. Trad. Christopher S. Wood. Nova York: Zone Books, 1991.
ROSE, J. Sexuality in the Field of Vision. Londres: Verso, 1986.
SOPER, K. What is Nature? Oxford: Blackwell, 1995.
TAGG, J. The Burden of Representation: Essays on Photographies and Histories. Londres: Macmillan Education, 1988.
TIMPANARO, S. On Materialism. Trad. Lawrence Gamer. Londres: Humanities Press, 1975.
WILSON, E. O. Consilience: The Unity of Knowledge. Nova York: Knopf, 1998.
Downloads
Publicado
Como Citar
Edição
Seção
Licença
Copyright (c) 2003 Martin Jay (Autor)
![Creative Commons License](http://i.creativecommons.org/l/by/4.0/88x31.png)
Este trabalho está licenciado sob uma licença Creative Commons Attribution 4.0 International License.
Autores que publicam nesta revista concordam com os seguintes termos:Autores mantém os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob a Licença Creative Commons Attribution que permite o compartilhamento do trabalho com reconhecimento da autoria e publicação inicial nesta revista.Autores têm autorização para assumir contratos adicionais separadamente, para distribuição não-exclusiva da versão do trabalho publicada nesta revista (ex.: publicar em repositório institucional ou como capítulo de livro), com reconhecimento de autoria e publicação inicial nesta revista.Autores têm permissão e são estimulados a publicar e distribuir seu trabalho online (ex.: em repositórios institucionais ou na sua página pessoal) a qualquer ponto antes ou durante o processo editorial, já que isso pode gerar alterações produtivas, bem como aumentar o impacto e a citação do trabalho publicado (Veja The Effect of Open Access).