“All art is political”

John Keene’s Black historical resistance in Counternarratives

Autores

  • Marcele Aires Universidade Estadual de Maringá (UEM)

DOI:

https://doi.org/10.17851/1982-0739.26.2.95-112

Palavras-chave:

John Keene, Counternarratives, resistance, rewriting history

Resumo

This article deals with the engaged writing of prose writer, poet, translator, and Professor John Keene. The Black North-American author clashes of political struggles, for he seeks to rewrite history as a literary witness, bringing assessments, evaluations, and social issues of the bygone ages – and their following outcome in the present. Keene’s historical approach and critical attitude uphold the line in his awarded short stories, Counternarratives, published by New Directions in 2015. Concerns about canon, rewriting history, Afro-descendent voice, and resistance will be approached, backed by writers and researchers such as Fanon (1963), Spriggs (1965), Baraka (1969), T’Shaka (2012), among others.

Biografia do Autor

  • Marcele Aires, Universidade Estadual de Maringá (UEM)

    Pós-Doutorado em Estudos Literários da Universidade Estadual de Londrina (UEL-2019). Doutorado em Literatura Brasileira (USP-2009). Professora do Departamento de Teorias Linguísticas e Literárias (DTL)
    da Universidade Estadual de Maringá (UEM).

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Publicado

2024-12-01