One Story and a Thousand and One Threads

Rediscovering History, Creating Stories in Margaret Atwood’s Alias Grace

Autores

  • Alcione Cunha da Silveira UFMG

DOI:

https://doi.org/10.17851/1982-0739.10..16-21

Palavras-chave:

Postmodernism, Genre, gender, Female madness

Resumo

This work analyzes Margaret Atwood’s  Alias Grace in order to discuss the strategies employed to intersect and articulate elements related to history and story, which are used to create a text that, by giving voice to a female character, re-writes an episode of Canadian history and questions the traditional discourses of the nineteenth century.

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Referências

Atwood, Margaret. Alias Grace. London: Bloomsbury, 1996.

Atwood, Margaret. “Ophelia Has a Lot to Answer for.” O. W. Toad. Ed. Margaret Atwood. 1997. <http://www.web.net/ owtoad/ophelia.html>. 10 Oct. 2002.

Besner, Neil. “Two Solitudes Revisited: Canada under Postcolonial Eyes.” Unpublished essay, 2003.

Herk, Aritha Van. “Canada.” Ed. Buck, Claire. The Bloomsbury Guide to Women’s Literature. New York: Prentice, 1992. 141-50.

Hutcheon, Linda. The Canadian Postmodern: A Study of Contemporary English-Canadian Fiction. Toronto: Oxford UP, 1988.

Hutcheon, Linda. The Politics of Postmodernism. New York: Routledge, 1989.

Kristeva, Julia. Desire in Language: A Semiotic Approach to Literature and Art. New York: Columbia UP, 1980.

Macheski, Cecilia, ed. Quilt Stories. Lexington: Kentucky UP, 1994.

Showalter, Elaine. The Female Malady: Women, Madness and English Culture, 1830-1980. New York: Penguin, 1985.

Showalter, Elaine. Sister’s Choice: Tradition and Change in American Women’s Writing. Oxford: Clarendon, 1991.

Wilson, Sharon Rose. “Quilting as Narrative Art: Metafictional Construction in Margaret Atwood’s Alias Grace.” Margaret Atwood ́s Textual Assassinations: Recent Poetry and Fiction. Columbus, OH.: Ohio State UP, 2003. 121-34.

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Publicado

2012-12-31

Edição

Seção

Em Tese