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In this text, the main objective is to discuss two samba themes dedicated to the writings of Eneida de Moraes, in a hommage promoted by the school of
samba Salgueiro, Rio de Janeiro, 1973, investigating, in the songs, the condition of the memory and the estrangement. The two sambas, “Eneida, amor e
fantasia” and “Boi da cara preta”, will be analised within the assumptions of thinkers of minor literature and of carnavalization.