Assis Horta

the photographer of a modern Brazil

Authors

  • Eneida Maria de Souza Universidade Federal de Minas Gerais (UFMG), Belo Horizonte, Minas Gerais

DOI:

https://doi.org/10.17851/2358-9787.28.4.227-246

Keywords:

Assis Horta, Diamantina, photography, ordinary man, people, citizenship

Abstract

Abstract: The professional photographer, Assis Horta, born in Diamantina, presents a collection of images with a historical-documentary dimension, for not only registering urban and human landscapes, but also contributing to the democratization of the portrait in Brazil, acquired through labor laws. Recognized officially in 1943 by the Consolidation of Labor Laws in the Vargas government - with the acquisition of the labor and Social Security portfolio -, the working class is now photographed 3x4 as proof of identity. With the end of the condition of social invisibility of the class, a new feature is being constructed for the characterization of people and citizenship in the country. As an interpreter of society by the photographic registry, Assis Horta values images of the ordinary man, records scenes of family and contributes to the advancement of marginal studies on people, nation and citizenship.

Keywords: Assis Horta; Diamantina; photography; ordinary man; people; citizenship.

Author Biography

  • Eneida Maria de Souza, Universidade Federal de Minas Gerais (UFMG), Belo Horizonte, Minas Gerais

    Professora emérita da UFMG. Professora Titular de Teoria da Literatura da UFMG.

    Faculdade de Letras da UFMG.

References

BARTHES, Roland. A câmara clara. Tradução de Júlio Castagñon Guimarães. Rio de Janeiro: Nova Fronteira, 1984.

DIDI-HUBERMAN, Georges. Cascas. Tradução de André Telles. Revista Serrote, Rio de Janeiro, n. 13, p. 99-133, 2013.

FERRAZ, Eucanaã. Diamantes, vidro, cristal. In: FERRAZ, Eucanaã (org.); KARP, Pedro. Chichico Alkmim fotógrafo. São Paulo: Instituto Moreira Salles. 2017.

HARAZIM, Dorrit. O clique único de Assis Horta. In: O instante certo. São Paulo: Companhia das Letras, 2016.

SONTAG, Susan. Ensaios sobre a fotografia. Tradução de José Afonso Furtado. Lisboa: Publicações Dom Quixote, 1986.

Published

2019-12-05

Issue

Section

Dossiê: As vozes do arquivo literário: problemas, linguagens, aproximações