Da metáfora máquina ao ser-com aparelhos

Palavras-chave: Arqueologia da Mídia, Prática da Mídia, Humanidades Digitais, Instalação, Teoria das Novas Mídias

Resumo

Este artigo analisa como desenvolvemos dispositivos para criar e transmitir significado. Ele analisa como esses dispositivos foram projetados e usados para apresentar uma visão do mundo para o espectador. Também observa quais são as tendências dentro do funcionamento dos dispositivos de mídia e como isso muda a forma como percebemos a informação e criamos visões do mundo. Além disso, pergunta como a natureza desses dispositivos determina como nos comunicamos através deles e quais são as tensões que eles criam. Por fim, perguntamos o que isso significa para o uso presente e futuro de tal tecnologia em um ambiente experiencial e informativo.

Biografia do Autor

Kenneth Feinstein, Sunway University, Malaysia
Kenneth Feinstein is an artist, theorist, curator and writer. He has exhibited creative works internationally, including solo exhibitions at the Chelsea Art Museum, New York City, and the Jogja Nasional Museum, Jogjakarta, Indonesia and group exhibitions at the Millennium Museum in Beijing, the National Visual Art Gallery Malaysia, Kuala Lumpur, and the Museum of the World Ocean, Kaliningrad, Russia. His award-winning films have been shown at major international film festivals including the Edinburgh International Film Festival, the Brooklyn Film Festival and the Oaxaca Film Festival. An early digital artist, his print Try Me was the first digital print in the New York Public Library print collection. In 2014, he was the first non-Malaysian curator at the National Visual Arts Gallery, Malaysia with the exhibition Immaterial Frontiers 2.0. His writings focus on media theory and philosophy. He has published books, articles and given talks on issues surrounding the ethics of new media practice. He is the author of The Image That Doesn’t Want to Be Seen, Apropos Press, 2010 and The Promise of Photography, Intellect, Ltd. 2015.Dr. Feinstein has a Masters and PhD in Media Philosophy from the European Graduate School in Switzerland. His BA is in documentary film and photography from Hampshire College in the USA. He is Associate Professor at the Centre for Research-Creation in Digital Media, from Sunway University, Kuala Lumpur, Malaysia.

Referências

BARTHES, Roland. Camera lucida: reflections on photography. New York: Hill and Wang, 1981.

BAUDRILLARD, Jean. Simulacra and simulation. Ann Arbor: University of Michigan Press, 1994.

BAUDRILLARD, Jean; Weibel, Peter; Neue Galerie am Landesmuseum Joanneum. Jean Baudrillard:Fotografien 1985-1998, [9.1.-14.2.1999, Neue Galerie Graz am Landesmuseum Joanneum, Graz] = Photographies = Photographs. Ostfildern-Ruit Germany. New York: Hatje Cantz, 1999.

BENJAMIN, Walter. On photography. Edited and translated by Esther Leslie. London: Reaktion Books, 2015.

BLANCHOT, Maurice. Friendship. Translated by Elizabeth Rottenberg. Stanford, Calif.: Stanford University Press, 1997.

CHUN, Wendy Hui Kyong. Programmed visions: software and memory. Cambridge, Mass.: MIT Press, 2011.

ELKINS, James. What photography is. New York: Routledge, 2011.

FLUSSER, Vilém. Towards a philosophy of photography. London: Reaktion, 2000.

FLUSSER, Vilém. Into the universe of technical images. Minneapolis, Minn.: University of Minnesota Press; Bristol: University Presses Marketing, 2011.

FLUSSER, Vilém. Does writing have a future? Introduction by Mark Poster, Translated by Nancy Ann Roth. Minneapolis, Minn.: University of Minnesota Press, 2011.

NEWHALL, Beumont. The history of photography from 1839 to the present day. New York: Museum of Modern Art, 1949.

STIEGLER, Bernard. Technics and time. Stanford, Calif.: Stanford University Press, 1998.

TALBOT, William Henry Fox. Pencil of nature (1969 reproduction of the 1844 edition. ed.). [S.l.]: Da Capo, 1969.

ZIELINSKI, Siegfried. Deep time of the media: toward an archaeology of hearing and seeing by technical means. Foreword by Timothy Druckrey. Cambridge, Mass.: MIT Press, 2006.

ZIELINSKI, Siegfried; WAGNERMAIER, Silvia. Variantology: on deep time relations of arts, sciences, and technologies. Translated by Gloria Custance. Köln: W. König, 2005.

ŽIŽEK, Slavoj. On belief (Thinking in Action). London; New York: Routledge, 2001.

Publicado
2020-05-27
Como Citar
FEINSTEIN, K. Da metáfora máquina ao ser-com aparelhos. PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG, v. 10, n. 19, p. 10-22, 27 maio 2020.
Seção
Artigos - Seção temática