“Take the Beuys off”: revisitando o conceito atual de écfrase na poesia performática de Thomas Kling

Autores

  • Heidrun Führer Universidade de Lund

DOI:

https://doi.org/10.17851/2317-2096.27.2.157-188

Palavras-chave:

écfrase, visualidade, performatividade, semiótica, multimodalidade, mimese, Thomas Kling

Resumo

Um poema do poeta alemão Thomas Kling (1957-2005), retratando o artista alemão Joseph Beuys, é o ponto de partida para a reconsideração do discurso ecfrástico atual, à luz da visualidade experimentada pela combinação do conceito da retórica antiga com as ideias modernas de imaginação, multimodalidade e performatividade.

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Biografia do Autor

Heidrun Führer, Universidade de Lund

Associate Professor
Department of Arts and Cultural Sciences
Division of Culture Management and Intermediality

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Publicado

2017-10-02

Como Citar

Führer, H. (2017). “Take the Beuys off”: revisitando o conceito atual de écfrase na poesia performática de Thomas Kling. Aletria: Revista De Estudos De Literatura, 27(2), 157–188. https://doi.org/10.17851/2317-2096.27.2.157-188

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Dossiê – Literatura e Arte: as Fronteiras em Discussão