“Take the Beuys off!” – Reconsidering the Current Concept of Ekphrasis in the Performative Poetry of Thomas Kling

Autores/as

  • Heidrun Führer Lund University

DOI:

https://doi.org/10.17851/2317-2096.27.2.157-188

Palabras clave:

ekphrasis, visuality, performativity, semiotics, multimodality, mimesis, Thomas Kling

Resumen

A portrait poem by the German poet Thomas Kling (1957-2005) about the German artist Joseph Beuys is the starting point to reconsider the current ekphrasis discourse in the light of experienced visuality by combining the concept of ancient rhetoric with modern ideas of imagination, multimodality and performativity.

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Biografía del autor/a

Heidrun Führer, Lund University

Associate Professor
Department of Arts and Cultural Sciences
Division of Culture Management and Intermediality

Citas

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Publicado

2017-10-02

Cómo citar

Führer, H. (2017). “Take the Beuys off!” – Reconsidering the Current Concept of Ekphrasis in the Performative Poetry of Thomas Kling. Aletria: Revista De Estudos De Literatura, 27(2), 157–188. https://doi.org/10.17851/2317-2096.27.2.157-188

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Sección

Dossiê – Literatura e Arte: as Fronteiras em Discussão