A Nero tragaedia nova de Matthew Gwinne: costume e inovação na Inglaterra elizabetana tardia


  • Celia Goodburn




Matthew Gwinne, Nero, Inglaterra elisabetana, neoestoicismo, Montaigne, sucessão


Este artigo analisa Nero tragaedia nova (1603), de Matthew Gwinne, e considera como o dramaturgo trata os temas do costume e da inovação para explorar a política elizabetana da época. Este artigo lê o épico dramático de Gwinne no contexto do interesse elisabetano tardio pelo neoestoicismo e examina como Gwinne usa a linguagem do estoicismo para fornecer um comentário sobre a crise de sucessão elizabetana.


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Biografia do Autor

Celia Goodburn

Celia Goodburn completed her PhD in History at the University of York in 2016. Her research focuses on the political and cultural engagement with Tacitus and stoic philosophy as reflected in the depiction of the reign of the emperor Nero in the period c.1580-1630. Her research interests include literature and politics in the early modern period, specifically political thought in late Tudor and Early Stuart England. She currently works in digital education in Higher Education. 


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Como Citar

Goodburn, C. (2018). A Nero tragaedia nova de Matthew Gwinne: costume e inovação na Inglaterra elizabetana tardia. Aletria: Revista De Estudos De Literatura, 28(3), 13–28. https://doi.org/10.17851/2317-2096.28.3.13-28



Dossiê – A Literatura Inglesa na Idade Moderna