A Tessitura Irônica de A Queda dum Anjo, de Camilo Castelo Branco
DOI:
https://doi.org/10.17851/2317-2096.1..82-97Abstract
Analysis of the representative elements of faking games with which Camilo Castelo Branco constructs the ironic intrigue of A queda dum anjo, where he satirizes a hypocritical society, parodies his own passional novels and gives value to the reader capable of seeing that the text tries to reproduce tife but, in fact, is creation, tessitura, art.
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References
ALMANSI, Guido. L'affaire mystérieuse de lábominable "tongue-in-cheek". Poétique, Paris, n. 36, p. 413-426, nov. 1978.
BEHLER, Ernest. The theory of irony in german romanticism. In: GARBER, Frederick. Romantic irony. Budapest: Akadémiai Kiadó, 1988.
BRANCO, Camilo Castelo. A queda dum anjo. Porto: Lello & Irmão, 1981.
COELHO, Jacinto do Prado. Introdução ao estudo da novela camiliana. 2. ed. Lisboa: Imprensa Nacional/Casa da Moeda, 1981.
FINLAY, Marike. The romantic irony of semiotics: Friedrich Schlegel and the crisis of representation. Berlin: Mouton de Gruyter, 1988.
GARBER, Frederick. Romantic irony. Budapest: Akadémiai Kiadó, 1988.
HANWERK, Gary J. Irony & ethics in narrative: from Schlegel to Lacan. New Haven: Yale University Press, 1985.
LAUSBERG, Heinrich. Elementos de retórica literária. Trad. R. M. Rosado Fernandes. 2. ed. Lisboa: Fundação Calouste Gulbenkian, 1972.
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Copyright (c) 1993 Lélia Parreira Duarte (Autor)
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