A tela de kafka: Imagens tecendo um olhar
DOI:
https://doi.org/10.17851/2317-2096.8..175-185Resumen
Resumo: A partir das impressões de Kafka frente ao cinema, apresentamos uma leitura da construção de seu romance América, cujo elemento pulsional mais forte concentra-se no olhar: ver/ser visto, aparecer/desaparecer. Pensando o cinema como um patamar de diminuição do real, como narração fugidia, Kafka responde com a escrita.
Palavras-chave: Kafka; pulsão escoptofílica; imaginário; relação cinema/escrita.
Abstract: Starting from Kafka’s impressions on cinema, we intend to analyse Kafka’s novel América, whose strongest instinctive element is concentrated on the eye and its functions: see / be seen; appear / disappear. Thinking about cinema as an art that diminishes the real, as a scaping narrative, Kafka answers by writing.
Keywords: Kafka; scoptophilic instinct; imaginary; relations cinema/writing.
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Derechos de autor 2001 Ana Maria Portugal M. Saliba (Autor)
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