Maya Angelou’s Africa: Diasporic Identity in All God’s Children Need Traveling Shoes
DOI:
https://doi.org/10.17851/2317-2096.25.3.31-48Keywords:
Africa, Maya Angelou, African-American identityAbstract
This article aims to reappraise Maya Angelou’s journey on African soil, through the critical reading of her autobiographical narrative about the period in which she lived in Ghana. From a broad perspective of cultural analysis, this study directs attention to the quest for identity of this African-American author in her relationship with Africa and its meanings. The characteristics of Angelou’s writing are investigated in parallel with the themes that motivate her work, in order to distinguish her appropriation of the autobiographical genre. Her identity as a black diasporic subject, who recounts her own experiences beyond the historical limits of colonialism, reveals a unique African heritage which finds its means of cultural struggle in creative imagination.
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Copyright (c) 2016 Maria Aparecida Andrade Salgueiro, Felipe Fanuel Xavier Rodrigues (Autor)
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