“Calm Is Welcome for Those Who Have a Calm Life”: Political Images in the Play Erê para toda a Vida ou a Grande Omodé
DOI:
https://doi.org/10.17851/2317-2096.26.1.15-27Keywords:
image, black theatre, politics, violenceAbstract
This essay aims to analyze the spectacular/dramatic text Erê para toda a vida ou a grande omodé (2015), from Bando de Teatro Olodum, regarding their political images. For that, I adopt the concepts of image used by Didi-Huberman and Benjamin and I proceed from the understanding of the spectacular/dramatic text studied as a powerful resistance to the black youth genocide addressed in the play, as of the aesthetic creation.
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Copyright (c) 2016 Júlia Morena Costa (Autor)
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