A Kuka de Kamaiorá ou O Segredo da Alma D'ouro: metaficção historiográfica, 1973-1983
DOI:
https://doi.org/10.17851/2317-2096.3..147-154Abstract
This essay analyses Leilah Assunção's post-modern play, a Kuka de Kamaiorá, which was written in 1973 but only staged ten years later. A careful reading of the dramatic text reveals some ideological confrontation among different sociopolitical strata in Brazil.Downloads
References
ASSUNÇÃO, Leilah. O segredo da alma de ouro. São Paulo: Programa Marketing Teatral. 1983. (1a versão 'Ópera rock").
BRANDÃO, Ruth Silviano. O conto do cisne (manuscrito da autora).
BRANDÃO, Ruth Silviano. Palavras em pássaro (manuscrito da autora).
DÓRIA, Gustavo. Moderno teatro brasileiro: crônica de suas raízes. Rio de Janeiro: Serviço Nacional de Teatro, 1975.
ELLIOT, Emory. Contemporary American fiction: on inside narrative. Riverside: University of California, 1991.
GOMES, Paulo Emílio Salles. Cinema: trajetória da subdesenvolvimento. Argumento, Rio de Janeiro, n. 1, p. 64, out. 1973.
HUTCHEÓN, Linda. Poética do pós-modernismo: história, teoria, ficção. Rio de Janeiro; Imago, 1991.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 1995 Júnia de Castro Magalhães Alves (Autor)
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution Non-Commercial No Derivatives License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).