A Casa Desabitada: A Narrativa no Fim do Milênio
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https://doi.org/10.17851/2317-2096.5..145-153Abstract
Este artigo apresenta a casa como imagem fundadora da narrativa e a cidade como imagemfundadora da narrativa moderna. Com a crise da modernidade, essas duas imagens arquetípicas se enfraquecem e passam a ser representadas na narrativa contemporânea como o lugar da falta e da perda, ou como simulacro. A novela A tarde de um escritor, de Peter Handke, propicia aqui a discussão sobre o novo tratamento dado à casa e à cidade na narrativa do fim domilênio.
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DUMAS, Marguerite: Escrever. Trad. Rubens Figueiredo. Rio de Janeiro: Rocco, 1994.
PROUST, Marcel: Sobre a leitura. Trad. Carlos Vogt. Campinas: Pontes, 1989.
RYBCZYNSKI, W. Vida nas cidades. São Paulo: Record, 1995.
ÁVILA, Myriam: O caracol e sua concha. In: Cartas a Mário. Cadernos de pesquisa, Napq/UFMG, n. 11, 1993.
HANDKE, Peter: A tarde de um escritor. Trad. Reinaldo Guarany. Rio de Janeiro: Rocco, 1993.
BAKHTIN, Mikhail: Questões de literatura e de estética (A teoria do romance). São Paulo: UNESP, 1993.
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Copyright (c) 1997 Myriam Ávila (Autor)
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