O canto na tragédia grega: Eurípides, Hípólíto vv. 58-71
DOI:
https://doi.org/10.17851/2317-2096.7..7-14Keywords:
canto, coro, tragédia, Eurípides, song, chorus, tragedy, Euripides.Abstract
Resumo: O presente estudo propõe algumas reflexões sobre o papel do coro nas tragédias gregas, sobretudo as de Eurípides, autor estudado em nossa tese de doutoramento. A partir da vasta bibliografia existente sobre tragédia, buscamos as mais importantes para a compreensão do papel do coro, de sua função em relação à ação dramática, e, segundo o que postulamos, sua importância na estrutura do espetáculo concebido pelo autor. O exemplo citado para expor nossas reflexões é o hino a Ártemis, entoado por Hipólito e por seu séquito de caçadores (vv. 58-71), no Hipólito, de Eurípides. A interrupção do monólogo de Afrodite (vv. 157) por um canto marca de maneira efetiva o início da encenação das palavras proferidas pela deusa.
Palavras-chave: canto; coro; tragédia; Eurípides.
Abstract: The present study suggests some reflections about the role of the Greek tragedy chorus, mainly the Euripides’, the author studied in our doctorate thesis. From the extensive existing bibliography about tragedy, we looked for those most important to the understanding of the role of the chorus, of its function in relation to the dramatic action, and, according to what we postulate, its importance in the structure of the performance conceived by the author. The example given to expose our reflections is the Hymn to Artemis, sung by Hippolytus and his scort of hunters (vv. 58-71), at Euripides' Hippolytus. The interruption of the Aphrodite's monologue (vv. 1-57) by a song marks in an effective manner the beginning of the performance of the words uttered by the goddess.
Keywords: song; chorus; tragedy; Euripides.
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References
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Copyright (c) 2000 Fernando Brandão Santos (Autor)
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