O cinema sem imagens
DOI:
https://doi.org/10.17851/2317-2096.8..109-115Keywords:
Marguerite Duras, writing, cinema.Abstract
Resumo: A obra cinematográfica de Marguerite Duras, praticamente desconhecida pelo grande público, estabelece intricadas relações com sua obra literária, ao promover a indiscernibilidade entre os dois campos, sem, contudo, instituir qualquer tipo de subordinação de um ao outro. O processo de criação do filme Le camion, de 1977, aponta para outras possibilidades de se pensar o cinema e a literatura.
Palavras-chave: Marguerite Duras; escrita; cinema.
Abstract: Almost unknown to the majority of the public, Marguerite Duras’s cinematographic work establishes intricate relationships with her literary work as it promotes the undistinguishability of one creative field from the other, without, nevertheless, instituting any kind of hierarchy between both. The creation process of the film Le camion (1977) points to other possibilities in the understanding of cinema and literature.
Keywords: Marguerite Duras; writing; cinema.
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References
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Copyright (c) 2001 paulo de andrade (Autor)
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