Oswald e Eisenstein: relações intersemióticas
DOI:
https://doi.org/10.17851/2317-2096.8..241-249Keywords:
montage, poetry, semiotics, Oswald de Andrade, Eisenstein.Abstract
Resumo: Estudo acerca das relações intersemióticas entre procedimentos estéticos presentes na poesia de Oswald de Andrade e na teoria da montagem de Eisenstein. O mecanismo da montagem promove o pensamento relacional e atua no nível da sintaxe analógica, de modo a causar, pela proximidade e contraste dos elementos, o instrumento necessário à construção da imagem e do pensamento. A poesia de Oswald é operada semioticamente de modo a deflagrar os efeitos imagísticos decorrentes do mecanismo da montagem estrutural.
Palavras-chave: montagem; poesia; semiótica; Oswald de Andrade; Eisenstein.
Abstract: A research on the intersemiotic relations between aesthetic procedures in Oswald de Andrade’s poetry and Eisenstein’s theory of montage. The montage mecanism promotes the relational thought and works at the level of the analogical syntax, causing, with the proximity and contrast of the elements, the necessary instrument for the construction of the image and the thought. Oswald de Andrade’s poetry semiotically operates in terms of making the imagistic effects coming from the structural montage mecanism.
Keywords: montage; poetry; semiotics; Oswald de Andrade; Eisenstein.
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References
ANDRADE, Oswald. Poesias Reunidas. 5 ed. Rio de Janeiro: Civilização Brasileira, 1978.
CAMPOS, Haroldo de (Org.). Ideograma: lógica, poesia, linguagem. São Paulo: Cultrix, 1977.
EISENSTEIN, Serguei M. Film Sense. London: Faber and Faber Limited, 1970.
EISENSTEIN, Serguei M. The film sense. San Diego: Harcourt Brace, Jovanovich, 1975.
EISENSTEIN, Serguei M. Film Form: essays in film theory. New York: Harcourt Brace, Jovanovich, 1977.
PIGNATARI, Décio. Informação, linguagem, comunicação. 5 ed. São Paulo: Cultrix, 1984.
VALÉRY, Paul. Introdução ao método de Leonardo da Vinci. São Paulo: Editora 34, 1998.
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Copyright (c) 2001 Susanna Busato Feitosa (Autor)
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