Memory, trauma, performance

Authors

  • Diana Taylor New York University

DOI:

https://doi.org/10.17851/2317-2096.21.1.67-76

Keywords:

performance, trauma, memória

Abstract

Trauma is a way of transmitting the past in the now, which gets re-activated full force. This paper discusses the duratioTrauma is a way of transmitting the past in the now, which gets re-activated full force. This paper discusses the durational nature of trauma, of history as lived, and as embodied practice.nal nature of trauma, of history as lived, and as embodied practice.

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References

ABERCROMBIE, Thomas A. Pathways of memory and power: ethnography and history among an andean people. Madison: University of Wisconsin Press, 1998.

GODOY-ANATIVIA, Marcial. The body as sanctuary space: towards a somatic topography of torture. Unpublished manuscript, 1997.

LAZZARA’S, Michael J. Chile in transition: the poetics and politics of memory. Gainesville: University Press of Florida, 2006.

MEADE, Teresa. Holding the junta accountable: Chile’s “sitios de memoria” and the history of torture, disappearance, and death” writes that Villa Grimaldi was the “only “memorial” of torture in Latin America when it was built in 1995. Now “Parque de la Memoria” and ESMA in Buenos Aires also function as memorials. Radical History Review, v. 79, p. 123-139, 2001. Available at: <http://muse.jhu.edu/journals/ radical_history_ review/v079/79.1meade.html>. Access on: 24 Oct. 2008.

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Published

2011-04-30

How to Cite

Taylor, D. (2011). Memory, trauma, performance. Aletria: Revista De Estudos De Literatura, 21(1), 67–76. https://doi.org/10.17851/2317-2096.21.1.67-76

Issue

Vol. 21 No. 1 (2011): Literatura e Performance

Section

Dossiê - Literatura e Performance

License

Copyright (c) 2011 Diana Taylor (Autor)

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