The perspective from Duckburg

Authors

  • Dirce Waltrick do Amarante Universidade Federal de Santa Catarina

DOI:

https://doi.org/10.17851/2317-2096.21.3.103-108

Keywords:

irony, theater, novel

Abstract

This article establishes a connection between the rhinoceros from Eugène Ionesco’s Rhinoceros (1959) and Donald Duck, protagonist of Patópolis (2010), by Marcelo Coelho. If Rhinoceros is a “tragic” text, written by a playwright who reflected on the animal, without being seen by it, in Patópolis, by contrast, culture is analyzed through the ironic view of a duck.

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References

CARROLL, Lewis. Alice. Edição comentada. Trad. Luiza X. de A. Borges. Rio de Janeiro: Jorge Zahar Ed., 2002.

CARVALHO, Flávio. A moda e o novo homem. Rio de Janeiro: Beco do Azougue, 2010.

COELHO, Marcelo. Patópolis. São Paulo: Iluminuras, 2010.

DERRIDA. Jacques. O animal que logo sou. Trad. Fábio Landa. São Paulo: Editora Unesp, 2002.

IONESCO, Eugène. O rinoceronte. Trad. Luís de Lima. Rio de Janeiro: Agir, 1962.

NIETZSCHE, Friedrich Wilhelm. Obras incompletas. Trad. Rubens Rodrigues Torres Filho. São Paulo: Abril Cultural, 1983.

PERNIOLA, Mario. Desgostos: novas tendêcias estéticas. Florianópolis: Editora UFSC, 2010.

SCHWARTZ, Jorge. Vanguardas latino-americanas. São Paulo: Edusp.

STEIN, Gertrude. Paris França. Trad. Sonia Coutinho. Rio de Janeiro: José Olympio, 2007.

SZTUTMAN, Renato (Org.). Eduardo Viveiros de Castro. Rio de Janeiro: Beco do Azougue, 2008.

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Published

2011-12-31

How to Cite

Amarante, D. W. do. (2011). The perspective from Duckburg. Aletria: Revista De Estudos De Literatura, 21(3), 103–108. https://doi.org/10.17851/2317-2096.21.3.103-108

Issue

Vol. 21 No. 3 (2011): Zoopoéticas Contemporâneas

Section

Dossiê - Zoopoéticas Contemporâneas: Paisagens Zooliterárias

License

Copyright (c) 2011 Dirce Waltrick do Amarante (Autor)

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