Gods: From the Origin of the Universe to the Origin of the Theatre: From the Dramatic to the Spectacular Text

Authors

  • Marcos Antônio Alexandre Universidade Federal de Minas Gerais

DOI:

https://doi.org/10.17851/2317-2096.24.1.153-164

Keywords:

Classic texts, Éderson Miranda, dramatic texts, gods, spectacular texts

Abstract

This essay discusses the importance of contemporary adaptations of classic texts, which aim at positioning them in the new contexts of enunciation in which they are resignified. In order to achieve this goal, we analyze the play God: from the origin of the universe to the origin of the theatre, by Éderson Miranda, focusing on the particularities of dramatic texts and their representation.

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References

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Additional Files

Published

2014-04-30

How to Cite

Alexandre, M. A. (2014). Gods: From the Origin of the Universe to the Origin of the Theatre: From the Dramatic to the Spectacular Text. Aletria: Revista De Estudos De Literatura, 24(1), 153–164. https://doi.org/10.17851/2317-2096.24.1.153-164

Issue

Vol. 24 No. 1 (2014): Recepção Clássica no Teatro Ibero-Americano

Section

Dossiê - Recepção Clássica no Teatro Íbero-Americano

License

Copyright (c) 2014 Marcos Antônio Alexandre (Autor)

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