Dramaturgic Textures: the Image as Performative Writing
DOI:
https://doi.org/10.17851/2317-2096.27.2.113-126Keywords:
dramaturgy, images, Mickaël de Oliveira, performanceAbstract
This article focuses on contemporary dramaturgy in its dialogues with other arts. I investigated the boundaries between the arts and the perspectives on the theatrical text in the current scene, considering especially the uses of the image as the foundation ot its sources and methods, and fostering a discussion about the text and its adjacencies. I analyse the view of the image both as performative writing and as corresponding to a form of thinking based on the imagery as an aesthetic and political device. Along these lines, I discuss the work of the Portuguese playwright Mickaël de Oliveira and his collaboration with Colective 84 to highlight this conceptual work based on a plural view about the text in relation to the traditional sources of production, and to demonstrate how it is rooted in performance.
Downloads
References
BARBA, Eugênio; SAVARESE, Nicola. (Org.). A arte secreta do ator: um dicionário de antropologia teatral. São Paulo: Hucitec/UNICAMP, 1995.
COHEN, Renato. Performance como linguagem. São Paulo: Perspectiva, 1989.
COHEN, Renato. Work in progress na cena contemporânea: criação, encenação e recepção. São Paulo: Perspectiva, 2004.
COLECTIVO 84. Disponível em: http://colectivo84.blogspot.com.br. Acesso em: 13 jul. 2017.
FERNANDES, Sílvia. Teatralidades contemporâneas. São Paulo: Perspectiva, 2010.
FERRARI, Anderson; CASTRO, Roney Polato de. (Org.). Política e poética das imagens como processos educativos. Juiz de Fora: Editora UFJF, 2012.
MATOS, Cláudia Neiva de. Literatura e performance. In: CARREIRA, A. L. A. et al. (Org.). Mediações performáticas latino-americanas. Belo Horizonte: FALE/UFMG, 2003. p. 49-58.
MONTEIRO, Rui. Crítica: horror ou breve estudo sobre a paralisia. Time Out, Lisboa, 3 set. 2011. Disponível em: http://colectivo84.blogspot.com.br/2009/04/press-entrevista-de-nuno-markl-john.html. Acesso em: 12 set. 2013.
OLIVEIRA, Mickaël de. Dramaturgia portuguesa contemporânea (1974-2004): as teatralidades do século XXI. 2012. 227 f. Tese (Doutorado em Estudos de Teatro) – Faculdade de Letras, Universidade de Lisboa, Lisboa, 2012.
OLIVEIRA, Mickaël de. Obra completa. Portugal: Humus, 2015. t. 1: 2006-2014.
OLIVEIRA, Mickaël. Em crise política e existencial. O Tempo, Belo Horizonte, 29 mar. 2013. Cultura, p. 1. Entrevista.
PAIS. Ana. O discurso da cumplicidade: dramaturgias contemporâneas. Lisboa: Colibri, 2004.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2017 Eder Rodrigues (Autor)
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution Non-Commercial No Derivatives License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
