The Virgilians’ Catabasis (Georgics IV and Aeneid VI): Omniauincit Amor

Authors

  • Heloísa Maria Moraes Moreira Penna Universidade Federal de Minas Gerais

DOI:

https://doi.org/10.17851/2317-2096.28.3.149-162

Keywords:

catabasis, Georgics IV, Orpheus, Aristeu, Aeneas, Aeneid VI

Abstract

In The Georgics: Book IV, in two parallel narratives, the shepherd Aristeus and the poet Orpheus embark on different personal journeys. In the context of the Virgilian work, the transcendental journey of these two characters foreshadows the catabasis (descent to hell) of Aeneas in The Aeneid: Book VI. Marking the midpoint of Virgil’s career, The Georgics, like the journeys of Aristeus and Orpheus, represents the two-faced god Janus insofar as the work anticipates the production of The Aeneid without losing sight of the past (The Bucolics).

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Author Biography

Heloísa Maria Moraes Moreira Penna, Universidade Federal de Minas Gerais

Professora de Língua e Literatura Latina da Faculdade de Letras da UFMG.

References

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Published

2018-10-15

How to Cite

Penna, H. M. M. M. (2018). The Virgilians’ Catabasis (Georgics IV and Aeneid VI): Omniauincit Amor. Aletria: Revista De Estudos De Literatura, 28(3), 149–162. https://doi.org/10.17851/2317-2096.28.3.149-162