Continuidade, descontinuidade, invenção, reinvenção da estética africana ou memória e mudança cultural
perspectivas glocal e da diáspora
DOI:
https://doi.org/10.35699/2317-2096.2020.25105Palavras-chave:
estética, África, continuidade, descontinuidade, culturaResumo
A questão da estética, memória e mudanças na África são levantadas de várias perspectivas. Alguns estudiosos europeus alegaram que a África não tinha passado e não podia produzir recursos estéticos, materiais ou imateriais para compartilhar com o mundo, pois seu passado era vazio e histórico. Infelizmente, os argumentos desses estudiosos influenciaram a história, a colonização justificada, a escravidão e sua violência multidimensional. Este artigo faz uma rápida análise desses momentos e destaca falsas acusações contra a África. Contribuições de estudiosos do Sul, como Mudimbe, Mbembe, Bhabha e Appadurai, atestaram resultados espetaculares combinando descobertas de arqueólogos, historiadores, historiadores de arte, antropólogos, linguistas, culturalistas, musicólogos e filósofos em estudos interdisciplinares. A África sempre foi um continente cultural vibrante que a colonização e a escravidão contaminaram. Tomando emprestada a pergunta de Apter sobre “o que deve ser feito” com relação a todas as descobertas sobre estética e história africanas, o texto convida os estudiosos a avançar em sua busca de comunicações, comparações, originalidades retiradas do distante passado africano, adaptadas à dinâmica local, global e da diáspora, e perspectivas glocais. É hora de interromper as acusações e reclamações do passado por se voltar à visibilidade global documentada.
Downloads
Referências
ANDINDILILE, M. ‘You Have no Past, no History’: Philosophy, Literature and the Re-Invention of Africa. International Journal of English and Literature, [S.l.], v. 7, n. 8, p. 127-134, Aug. 2016. DOI: https://doi.org/10.5897/IJEL2015.0729
APPADURAI, A. The Future as Cultural Fact: Essays on the Global Condition. London, New York: Verso, 2013.
APPIAH, K. A. Race, Culture, Identity: Misunderstood Connections. In: COETZEE, P. H.; ROUX, A. P. J. (ed.). The African Philosophy Reader. 2. ed. Great Britain: Routledge, 2003. p. 435-456.
APPIAH, K. S. Continuity and Discontinuity in Traditional African Narrative Ethics. Research on Humanities and Social Sciences, [S.l.], v. 3, n. 5, p. 46-54, 2013.
APTER, A. Beyond Words: Discourse and Critical Agency in Africa. Chicago: University of Chicago Press, 2007.
AYOTUNDE ISOLA BEWAJI, J. Black Aesthetics: Beauty and Culture: An Introduction to African and African Diaspora Philosophy of Arts. Trenton, NJ: Africa World Press. 2015.
BHABHA, H. K. The Location of Culture. New York: Routledge Classics, 2004.
BIAL, H. (Ed.). The Performance Studies Reader. London: Routledge Taylor & Francis Group, 2004.
BLIER, S. P. Art and Risk in Ancient Yoruba: Ife History, Power, and Identity, ca. 1300. Cambridge: Cambridge University Press, 2015. DOI: https://doi.org/10.1017/CBO9781139128872
BOISDUR DE TOFFOL, M. H. et al. Anthology of African Art: The Twentieth Century. Paris: D.A.P. ; Editions Revue Noire, 2002.
BOURDIEU, P. Masculine Domination. New York: Stanford University Press, 2002.
BROWN, N.; SZEMAN, I. Fieldwork in Culture. London: Rowman & Littlefield, 2000.
COETZEE, P. H.; ROUX, A. P. J. (Ed.). The African Philosophy Reader. 2. Ed. Great Britain: Routledge, 2003. DOI: https://doi.org/10.4324/9780203493229
COMAROFF, J. Religion, Society, Theory. Religion and Society: Advances in Research, [S.l.], v. 3, n. 1, p. 5-34, 2012a. DOI: https://doi.org/10.3167/arrs.2012.030102
COMAROFF, J.; CAMARROFF, J. L. Theory from the South: Or, how Euro-America is Evolving Toward Africa. Anthropological Forum, [S.l.], v. 22, n. 2, p. 113-131, July 2012b. DOI: https://doi.org/10.1080/00664677.2012.694169
DE CERTEAU, M. The Practice of Everyday Life. 3th ed. California: University of California Press, 2011.
DIOP, C. A. The African Origin of Civilization: Myth or Reality. Translated from the French by Mercer Cook. New York: Lawrence Hillbooks & Company, 2012.
EBEOGU, A. Ethnosensitive Dimensions of African Oral Literature: Igbo Perspectives. New York: African heritage Press, 2017.
ELIADE, M. The Myth of the Eternal Return: Cosmos and History. Princeton, NJ: Princeton University Press, 2005. (Bolligen Series, n. XLVI).
FINNEGAN, R. Oral Literature in Africa. Oxford: Oxford University Press. 2012. DOI: https://doi.org/10.11647/OBP.0025
FOUCAULT, M. The Archaeology of Knowledge and the Discourse on Language. Translated by A. M. S. Smith. New York: Routledge Classics, 2002.
FRAITURE, P.-P. Mudimbe’s homo absconditus: Towards a Resurrection of the Human. International Journal of Francophone Studies, [S.l.], v. 15, n. 3-4, p. 455-475, 2012. DOI: https://doi.org/10.1386/ijfs.15.3-4.455_1
GIDDENS, A. Sociology. 5th ed. with the assistance of Simon Griffiths. Cambridge: Polity Press, 2006.
GIDDENS, A. Social Theory and Modern Sociology. Cambridge: Polity Press, John Wiley & Sons, 2007.
GIDDENS, A. The Consequences of Modernity. Cambridge: Polity Press, 2012.
GONZALEZ, M.; AGOSTINI, R. (ed.). Aesthetics and Ideology in Contemporary Literature and Drama. Cambridge: Cambridge Scholars Publishing, 2015.
GORDON, L. R. Fanon and Development: A Philosophical Look. Africa Development Senegal, [S.l.], v. 29, n. 1, p. 71-94, 2004. DOI: https://doi.org/10.4314/ad.v29i1.22186
GREEN, V. B. African-Derived Music of the Americas. American International Journal of Contemporary Research, Irving, TX, v. 5, n. 5, p. 1-7, Oct. 2015. Available at: www.aijcrnet.com. Access on: Jan. 3, 2019.
HEGEL, G. W. F. The Philosophy of History. Kitchener: Batoche books, 2001.
HOBSON, M. Jacques Derrida: Opening Lines. New York and London: Routledge, 2012. DOI: https://doi.org/10.4324/9780203007044
JARRASSE, D. Trois gouttes d’art nègre. Gobinisme et métissage en histoire de l’art. Les Actes de Colloques du Musee du Quai Branly Jacques Chirac, Paris, v. 1, p. 2-14, julliet 2009. Available at: http://journals.openedition.org/actesbranly/96. Accessed on: March 17, 2020.
JORDAN, M. Tupele, les symboles du panier divinatoire Chokwe. Tribal Art Magazine, Arquenes, Belgium, v. VIII, n. 1, p. 96-100, 2003.
JORDAN, M. Makishi: Mask Characters of Zambia. Los Angeles: UCLA Fowler Museum, 2006.
JORDAN, M. Masques Chokwe: entités ancestrales: Makishi et leurs attributs. In : FALGAYRETTES-LEVEAU, C. et al. (éd.). Angola: figures de pouvoir. Paris: Dapper, 2010. p. 152-177 et 281-282.
KAPCHAN, Deborah. Traveling Spirit Masters: Moroccan Gnawa Trance and Music in the Global Marketplace. Middletown, CT: Wesleyan University Press, 2007.
KAPUTU, F. U. “Chilima” and the Remaking of Chokwe Identity: An Interdisciplinary Study on Globalization, Material Traditions and Gendered CosmoPolity. Burssels: VUPress, 2017.
KARP, I., MASOLO, D. A. African Philosophy as Cultural Inquiry. Bloomington, IN: Indiana University Press, 2000.
KRESSE, K. “Reading Mudimbe”: An introduction. Journal of African Cultural Studies, Boston, v. 17, n. 1, p. 1-9, 2005. DOI: https://doi.org/10.1080/0090988052000344639
LISAHUNTER, W. S. et al. (ed.). Pierre Bourdieu and Physical Culture. London: Routledge Research in Sport; Culture and Society, 2016.
LOESBERG, J. A Return to Aesthetics: Autonomy, Indifference, and Postmodernism. Stanford: Stanford University Press, 2005.
MAFEJE, A. A propos “African Modes of Self-writing”: Adieu Mbembe. Southern African Political and Economic Monthly, [S.l.], v. 13, n. 12, p. 33-36, 2000.
MBEMBE, A. On Postcolony. California: University of California Press, 2001. DOI: https://doi.org/10.1525/9780520917538
MBEMBE, A. De la Postcolonie: Essai sur l’imagination politque dans l’Afrique contemporaine. Paris: Editions Karthala, 2000. (Collection Les Afriques, dirigée par Jean-François Bayart)
MBEMBE, J.; RENDALL, S. African Modes of Self-Writing. Public Cultures, Durham, NC, v. 14, n. 1, p. 239-273, 2002. DOI: https://doi.org/10.1215/08992363-14-1-239
MBEMBE, A. Critique of Black Reason. Durham: Duke University Press, 2017. DOI : https://doi.org/10.1215/9780822373230
MBOG, B. Esthétique de l’art africain: symbole et complexité. Paris: L’Harmattan, 2007.
Mudimbe, V. Y. Cheminements: Carnets de Berlin. Quebec: Humanitas, 2006.
MUDIMBE, V. Y. et al. The Mudimbe Reader. Charlottesville, VA: University of Virginia Press, 2016.
O’CONNOR, E. Preface for a Post-Postcolonial Criticism. Victorian Studies, Bloomington, IN, v. 45, n. 2, p. 217-246, 2003. DOI: https://doi.org/10.1353/vic.2003.0093
ODODO, S. E. Theatrical Aesthetics and Functional Values of Ekuechi Masquerade Ensemble of the Ebira People in Nigeria. African Study Monographs, Kioto, v. 22, n. 1, p. 1-36, May 2001.
OGAGA, O. Familiar Realities, Continuity, Shifts of trajectory in New African Novel. In: ______. (ed.). Tradition and Change in Contemporary West and East African Fiction. Amsterdam: Rodopi, 2014. Preliminary material. Matatu: Journal for African Culture and Society, [S.l.], v. 45, n. 1, p. i-xxxii, 2014. DOI: https://doi.org/10.1163/9789401211093_001
OGUDE, J. Whose Africa? Whose Culture? Reflections on Agency, Travelling Theory and Cultural Studies in Africa. Kunapipi: Journal of Postcolonial Writing and Culture, v. 34, n. 1, p. 12-27, 2012. Available at: https://ro.uow.edu.au/kunapipi/vol34/iss1/3. Accessed on: July 6, 2020.
OTTO, T.; PEDERSEN, P. (ed.). Tradition and Agency: Tracing Cultural Continuity and Invention. Denmark: Aarhus University, 2005.
PERNET. H. Ritual Masks: Deceptions and Revelations. Translated by Laura Grillo. Oregon: Wipf and Stock Publishers, 2006.
PORTEVIN, Catherine. Interview d’Achille Mbembe. Philosophie Magazine, Paris, v. 7, p. 26-29, Feb. 2014.
QUIJANO, A. Coloniality and Modernity/Rationality. Cultural Studies, [S.l.], v. 21, n. 2-3, p. 168-178, 2007. DOI: https://doi.org/10.1080/09502380601164353
RANTA, M. Art, Aesthetic Value, and Beauty: On the Evolutionary Foundations of “Narrative Resemblance Concepts”. In: INTERNATIONAL CONGRESS OF AESTHETICS IN KRAKOW, 19th., 2013. Proceedings […]. Krakow: Naturalizing Aesthetics; Cracow, Poland: Jagellonian University, 2015. p. 59-69.
REED-DANAHAY, D. Remembering Pierre Bourdieu 1930-2002. Anthropological Quarterly, [S.l.], v. 75, n. 2, p. 375-380, 2002. DOI: https://doi.org/10.1353/anq.2002.0038
ROQUE, R. The Razor’s Edge: Portuguese Imperial Vulnerability in Colonial Moxico, Angola. The International Journal of African Historical Studies, Boston, v. 36, n. 1: Special Issue: Colonial Encounters between Africa and Portugal, p. 105-124, 2003. DOI: 10.2307/3559321
ROUDOMETOF, V. Theorizing Glocalization: Three Interpretations. European Journal of Social Theory, [S.l.], p. 1-18. 2015.
SANCHEZ, G. G. Diasporic Identity Formation among Cape Verdeans in Boston. The Western Journal of Black Studies, Washington, v. 29, n. 2, 532-539, 2005.
SCHWASS, M. Invention and Reinvention: Greville Texidor Meets Frank Sargeson. Journal of New Zealand Literature, [S.l.], v. 34, n. 1, p. 8-26. 2016. Available at: http://www.jstor.org/stable/90000544. Accessed on: May 18, 2018.
SHAVA, S. The African Aesthetic. In: SHUJAA, M. J.; SHUJAA, K. J. (ed.). The SAGE Encyclopedia of African Cultural Heritage in North America. Pretoria: University of South Africa: SAGE Publications, 2015. p. 11-17.
STAHL, A. B. Africa in the World: (Re)centering African History Through Archaeology. Journal of Anthropological Research, [S.l.], v. 70, n. 1, p.5-33, 2014. DOI: https://doi.org/10.3998/jar.0521004.0070.102. Available at http://www.jstor.org/stable/24393744. Accessed on: May 19, 2018.
TOURÉ, A. M. Dawn-Song and the “Evolution of the Black Aesthetic” An Outline of A Few, Key Concepts/Archetypes/Metaphors. Africology: The Journal of Pan African Studies, Santa Clarita, CA, v. 11, n. 6, p. 255-259, 2018.
TSAAIOR, J. T.; UGOCHUKWU, F. (ed.). Nigerian Film Culture and the Idea of the Nation: Nollywood and National Narration. London: Adonis & Abbey Publishers, 2017.
VANSINA, J. Papers of an African King Collected by Jacques Hymans. History in Africa, Cambridge, v. 30, p. 455-460, 2003. DOI: https://doi.org/10.1017/S0361541300003338
VANSINA, J. How Societies are Born: Government in West Central Africa before 1600. Charlottesville; London: University of Virginia Press, 2004.
VERBEEK, L. Le chasseur africain et son monde. Chansons de chasse du sud-est du Katanga. Tervuren: MRAC, 2007a.
VERBEEK, L. Les jumeaux africains et leur culte. Chansons des jumeaux du sud-est du Katanga. Tervuren: MRAC, 2007b.
VERBEEK. L. Pleureuses du Luapula – Moëro. Mélopées funèbres du Sud-Est Katanga. Tervuren: MRAC, 2003.
WAGNER, R. The Invention of Culture. 2nd ed. Chicago: The University of Chicago Press, 2016.
Downloads
Publicado
Como Citar
Edição
Seção
Licença
Copyright (c) 2020 Felix Ulombe Kaputu, Fidèle Mwepu (Autor)
Este trabalho está licenciado sob uma licença Creative Commons Attribution 4.0 International License.
Autores que publicam nesta revista concordam com os seguintes termos:Autores mantém os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob a Licença Creative Commons Attribution que permite o compartilhamento do trabalho com reconhecimento da autoria e publicação inicial nesta revista.Autores têm autorização para assumir contratos adicionais separadamente, para distribuição não-exclusiva da versão do trabalho publicada nesta revista (ex.: publicar em repositório institucional ou como capítulo de livro), com reconhecimento de autoria e publicação inicial nesta revista.Autores têm permissão e são estimulados a publicar e distribuir seu trabalho online (ex.: em repositórios institucionais ou na sua página pessoal) a qualquer ponto antes ou durante o processo editorial, já que isso pode gerar alterações produtivas, bem como aumentar o impacto e a citação do trabalho publicado (Veja The Effect of Open Access).
