Modernismo e Guerra Fria
la historicidad de una estética en la segunda mitad del siglo veinte
DOI:
https://doi.org/10.35699/2317-2096.2024.51377Palabras clave:
modernismos globais, Guerra Fria, modernismo taiwanês, modernismo árabe, descolonização, poesia modernistaResumen
Este artículo tiene como objetivo investigar los desarrollos de la estética modernista en la segunda mitad del siglo XX en el contexto de la Guerra Fría y la descolonización a gran escala de países de África y Asia. Más concretamente, se dirige a dos grupos literarios en los que la idea de modernismo fue decisiva: la Escuela Modernista (Xiandaipai) en Taiwán y el grupo de revistas Poesía (Shi'r) en el Líbano, ambos funcionando en los años cincuenta y sesenta. la continuidad del modernismo a finales de los años 1970 y comienzos de la década siguiente en espacios culturales antes completamente dominados por la estética del Bloque del Este, como Uzbekistán y la República Popular China. Así, es dentro de los intensos enfrentamientos políticos, ideológicos y culturales entre 1950 y 1990 donde se ubica la presencia del modernismo.
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