Os namoros entre as artes
os ensaios de Virginia Woolf sobre literatura e cultura visual
DOI:
https://doi.org/10.35699/2317-2096.2025.54363Palabras clave:
ensaio, arte visual, cinema, estudos interartes, Virginia WoolfResumen
O objetivo deste artigo é discutir três ensaios e um conto de Virginia Woolf sobre o diálogo entre a literatura e as artes visuais. São eles: “Pictures” (1925), “The Cinema” (1926), “Three Pictures” (1929) e “Walter Sickert” (1934). “Three Pictures” aparece classificado como ensaio no livro The Death of the Moth and Other Essays (1942), organizado por Leonard Woolf, e como conto na coletânea The Complete Shorter Fiction of Virginia Woolf (1989), organizada por Susan Dick. Esse aspecto chama a atenção para o modo como Woolf faz uso de estratégias criativas em seus ensaios, de modo a esgarçar as fronteiras entre ficção e não-ficção. A discussão busca enfatizar o conhecimento de Woolf sobre a arte e cultura visuais, a fim de mostrar, com a análise de “Three Pictures”, o potencial visual do conto em diálogo com os princípios críticos elaborados por ela.
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