A imagem como ruína: de uma totalidade irrecuperável
DOI:
https://doi.org/10.17851/2317-2096.8..262-269Palabras clave:
literature, cinema, montage, intertext, museum.Resumen
Resumo: O dialogismo entre o filme Citizen Kane, de Orson Welles, e o poema “Kubla Khan”, de S. T. Coleridge, é analisado, sendo evidenciados não só o tema em comum – o mito do Paraíso perdido – como também a similaridade na organização do discurso na justaposição das imagens, como fragmentos da memória a serem preservados.
Palavras-chave: literatura; cinema; montagem; intertexto; museu.
Abstract: The intertext between the film Citizen Kane, by Orson Welles, and the poem “Kubla Khan”, by S. T. Coleridge, is analised. A common theme, the myth of lost Paradise, and similar strategies in the organization of discourse, the manipulation of images as juxtaposed fragments from reservoirs of memories, are shown.
Keywords: literature; cinema; montage; intertext; museum.
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VOLPE, Miriam L. Resgate de um sonho: Cidadão Kane e Kubla Khan. São Paulo: Editorial Cone Sul, 1999.
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Derechos de autor 2001 Míriam L. Volpe (Autor)
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