Relectura desde una crítica feminista de Isidora Aguirre: dramaturga chilena perenne
DOI :
https://doi.org/10.17851/2317-2096.3..155-165Résumé
Este artigo discute as características apresentadas na escrita de Isidora Aguirre, a dramaturga mais constante e perene do teatro chileno. Partindo de sua enunciação analisam-se os códigos semióticos de seus textos, as metodologias escolhidas e o sujeito genérico de sua fala. Estuda-se sua dramaturgia observando as causas da sua sobrevida aos contextos e regimes diferentes, produzida no interior de um sistema literário patriarcal que sistemáticamente estabeleceu o cânon através da apropriação masculina da palavra.Téléchargements
Références
AGUIRRE, Isidoro. The Woman Playwright as Social Political Critic. Documento sin editor leído en el Congreso de Dramaturgia Femenina realizado en Buffolo, 1988.
AGUIRRE, Isidora. Entrevista personal realizada en 1990.
AGUIRRE, Carolina, Teatro chileno actual. Santiago: Zig Zag, 1970.
AGUIRRE, Isidora. Las papeleras. Santiago: Ed. Torsegel, 1986.
AGUIRRE, Isidora. Lautaro. Epopeya del pueblo mapuche (teatro). Santiago: Nascimento, 1982.
AGUIRRE, Isidora. Prólogo. In: ______. Lautaro. Epopeya del pueblo mapuche (teatro). Santiago: Nascimento, 1982.
GUEVARA, Ernesto. Epígrafe. In: AGUIRRE, Isidora. Los que van quedando en el camino. Santiago: Imprenta Mueller, 1970.
LETELIER, Agustín. Prólogo. In: AGUIRRE, Isidora. Diálogos de fin de siglo. Santiago: Ed. Torsegel, 1986.
SOLORZANO, Carlos. Prólogo. In: AGUIRRE, Isadora. Las papeleras. Santiago: Ed. Torsegel, 1986.
TEITELBOM, Valadia. Prólogo. In: AGUIRRE, Isidora. Los que van quedando en el camino. Santiago: Imprenta Mueller, 1970.
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(c) Tous droits réservés Sara del Carmen Rojo de la Rosa (Autor) 1995
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