Vianinha: íntimo e pessoal
DOI :
https://doi.org/10.17851/2317-2096.7..40-49Mots-clés :
Vianinha, teatro brasileiro, théâtre bresilien.Résumé
Resumo: Este artigo constitui-se em breve reflexão a propósito da posição de Oduvaldo Viana Filho no panorama da produção teatral brasileira das décadas de 1960-1970.
Palavras-chave: Vianinha; teatro brasileiro.
Résumé: Cet article est un petit commentaire sur quelques oeuvres dramatiques de Oduvaldo Viana Filho au milieu de la production théâtral bresilienne dans les années 1960-1970.
Mots-clés: Vianinha; théâtre bresilien.
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Références
BETTI, Maria Sílvia. Oduvaldo Viana Filho. São Paulo: EDUSP/FAPESP, 1997.
DAMASCENO, Leslie Hawkins. Espaço cultural e convenções teatrais na obra de Oduvaldo Viana Filho. Campinas: Editora UNICAMP, 1994.
HOLLANDA, Heloísa B. de; GONÇALVES, Marcos A. Cultura e participação nos anos 60. São Paulo: Brasiliense, 1986.
PEREIRA, Carlos Alberto M. O que é contracultura. São Paulo: Brasiliense, 1985.
VIANA, Oduvaldo. Allegro desbundaccio. Comédia. 36 fI. UNI-RIO. (mimeo)
VIANA, Oduvaldo. Corpo a corpo. Revista da SBAT, Rio de Janeiro, n. 387, 1972.
VIANA, Oduvaldo. A longa noite de Cristal. UNI-RIO. (mimeo)
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(c) Tous droits réservés Claúdia Braga (Autor) 2000
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