Zé Celso e o teatro do mundo
DOI :
https://doi.org/10.17851/2317-2096.7..126-134Mots-clés :
teatro brasileiro, Cacilda!, linguagem contemporânea, Brazilian theater, contemporary language.Résumé
Resumo: Este ensaio é sobre o teatro brasileiro contemporâneo, baseado nas possibilidades de renovação da dramaturgia, tal como aponta José Celso Martinez Corrêa em Cacilda!, a mais recente produção do Teatro Oficina.
Palavras-chave: teatro brasileiro; Cacilda!; linguagem contemporânea.
Abstract: This essay is about the Brazilian contemporary theater, based on the possibilities of renovation of the playwriting as José Celso Martinez Corrêa points out in Cacilda!, Teatro Oficina’s latest production.
Keywords: Brazilian theater; Cacilda!; contemporary language.
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Références
CORRÊA, José Celso Martinez. Cacilda!, São Paulo, 1999. (Programa da peça.)
FOUCAULT, Michel. Microfísica do poder. Org. e trad. Roberto Machado. Rio de Janeiro: Graal, 1979. p. 15-37: Nietzsche, a Genealogia e a História.
FOUCAULT, Michel. Nietzsche, Freud & Marx. Theatrum Philosophicum. 4. ed. Trad. Jorge Lima Barreto. São Paulo: Princípio, 1987.
LIMA, Carlos (org.). Rimbaud no Brasil. Rio de Janeiro: Comunicarte; Universidade do Estado do Rio de Janeiro, 1993.
RAMOS, Luiz Fernando. O parto de Godot e outras encenações imaginárias. São Paulo: Hucitec; Fapesp, 1999.
SÁ, Nelson de. Divers/Idade. Um guia para o teatro dos anos 90. São Paulo: Hucitec, 1996.
THOMAS, Gerald. Gerald Thomas e a arte da representação. In: FERNANDES, Silvia; GUINSBURG, J. (org.). Um encenador de si mesmo: Gerald Thomas. São Paulo: Perspectiva, 1996. p. 28-35.
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(c) Tous droits réservés Mauricio Salles Vasconcelos (Autor) 2000
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