Mad tricks in modern drama: The interplay of dramatic techniques and perplexing themes in O'Neill and Pirandello

Auteurs

  • Dário Borim Junior

DOI :

https://doi.org/10.17851/2317-2096.7..161-167

Mots-clés :

expressionismo, existentialism, identity, colonialismo, existencialismo, identidade, colonialismo.

Résumé

Abstract: This study assesses the degree of harmony within the interaction between thematic configuration and dramatic effect in two pioneering and exponent works of Modem Drama: The Emperor Jones (1920), by Eugene O’Neill, and Henry IV (1922), by Luigi Pirandello.

Keywords: expressionismo; existentialism; identity; colonialismo.

Resumo: Este estudo avalia o grau de harmonia na interação entre configuração temática e efeito dramático em duas obras pioneiras e expoentes do drama moderno: The Emperor Jones (1920), de Eugene O’Neill, e Henry IV (1922), de Luigi Pirandello.

Palavras-chave: expressionismo; existencialismo; identidade; colonialismo.

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Références

BLOCK, Haskell M.; SHEDD, Robert G. Masters of Modern Drama. New York: Random House, 1962.

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Publiée

2000-12-31

Comment citer

Borim Junior, D. (2000). Mad tricks in modern drama: The interplay of dramatic techniques and perplexing themes in O’Neill and Pirandello. Aletria: Revista De Estudos De Literatura, 7, 161–167. https://doi.org/10.17851/2317-2096.7.161-167

Numéro

Vol. 7 (2000): Teatro e Crítica Teatral

Rubrique

Dossiê - Teatro e Crítica Teatral - Diálogo

Licence

(c) Tous droits réservés Dário Borim Junior (Autor) 2000

Creative Commons License

Ce travail est disponible sous la licence Creative Commons Attribution 4.0 International .

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