Godard contra a adaptação: Carmen e outras histórias do cinema
DOI :
https://doi.org/10.17851/2317-2096.8..60-71Mots-clés :
litterary adaptation, screen-play, image and texte, Godard.Résumé
Resumo: Através do estudo da obra cinematográfica de Jean-Luc Godard e de seus escritos sobre o cinema, esse texto procura colocar em relevo certos aspectos do pensamento do cineasta que constituem uma verdadeira teoria da adaptação. Privilegia-se a análise de seu filme Prénom Carmen (1983), uma adaptação livre do conto homônimo de Prosper Mérimée.
Palavras-chave: adaptação literária; roteiro; imagem e texto; Godard.
Abstract: This study on Jean-Luc Godard’s movies and cinematographic critical writings intends to emphasizes some aspects of the movie director’s thought that constitute a real theory of literary adaptation. We mainly analyse the film Prénom Carmen (Godard, 1983), a free adaptation of Prosper’s Mérimée novel.
Keywords: litterary adaptation; screen-play; image and texte; Godard.
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Références
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(c) Tous droits réservés Anita Leandro (Autor) 2001
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