A complexização do objeto artístico: uma análise da obra de Angela Lago

Auteurs

  • André Mendes

DOI :

https://doi.org/10.17851/2317-2096.14.2.138-146

Résumé

Esse artigo pretende defender a idéia de que as ilustrações produzidas por Angela Lago, por serem sistemas complexos, são capazes de acrescentar ao texto escrito ao qual reportam um maior número de significados, ampliando as possibilidades de leitura dessas obras, enriquecendo-as como objeto artístico.

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Références

ESCHER, Maurits Cornelis. The World of M. C. Escher. Amsterdam: Meulenhoff International, 1971.

LAGO, Ângela. O Cântico dos Cânticos. São Paulo: Editora Paulinas, 1992.

LAGO, Ângela. De morte. Belo Horizonte: RHJ, 1992.

MENDES, André. O amor e o diabo em Angela Lago: a complexidade do objeto artístico. Belo Horizonte: Editora UFMG, 2007.

MORIN, Edgar. Introdução ao pensamento complexo. Lisboa: Instituto Piaget, 2001.

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Publiée

2006-12-31

Comment citer

Mendes, A. (2006). A complexização do objeto artístico: uma análise da obra de Angela Lago. Aletria: Revista De Estudos De Literatura, 14(2), 138–146. https://doi.org/10.17851/2317-2096.14.2.138-146

Numéro

Vol. 14 No 2 (2006): Intermidialidade

Rubrique

Dossiê - Intermidialidade - III Artes Plásticas e Letras

Licence

(c) Tous droits réservés André Mendes (Autor) 2006

Creative Commons License

Ce travail est disponible sous la licence Creative Commons Attribution 4.0 International .

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