A beleza da indiferença: reflexões sobre lieratura e artes plásticas a partir de um conto de Virginia Woolf
DOI :
https://doi.org/10.17851/2317-2096.14.2.176-185Résumé
Este texto analisa o conto “Objetos sólidos”, de Virginia Woolf, a partir do diálogo entre literatura e artes plásticas, com o objetivo de perceber como a opacidade dos objetos na obra de arte afeta o entendimento que o sujeito tem de si mesmo e da realidade à sua volta.Références
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BUCK-MORSS, Susan. Dialética do olhar: Walter Benjamin e o projeto das passagens. Trad. Ana Luiza de Andrade. Belo Horizonte: Editora UFMG, 2002.
CABANNE, Pierre. Marcel Duchamp: engenheiro do tempo perdido. 2. ed. Trad. Paulo José Amaral. São Paulo: Perspectiva, 1997.
DIDI-HUBERMAN, Georges. O que vemos, o que nos olha. Trad. Paulo Neves. Prefácio de Stéphane Huchet. São Paulo: Editora 34, 1998.
KRAUSS, Rosalind E. Caminhos da escultura moderna. Trad. Julio Fischer. São Paulo: Martins Fontes, 1998.
MARINETTI, Filippo Tomasso. Pintura futurista: manifesto técnico. (1912.) In: CHIPP, Herschel B. (Org.). Teorias da arte moderna. Trad. Waltensir Dutra et al. São Paulo: Martins Fontes, 1996, p. 295.
MERLEAU-PONTY, Maurice. Signos. Trad. Maria Ermantina Galvão Gomes Pereira. São Paulo: Martins Fontes, 1991.
PAZ, Octavio. Marcel Duchamp ou o castelo da pureza. Trad. Sebastião Uchoa Leite. São Paulo: Perspectiva, 2002.
RILKE, Rainer Maria. Auguste Rodin. (1907.) Trad. Marion Fleisher. São Paulo: Nova Alexandria, 2003.
WOOLF, Virginia. Contos completos. Trad. Leonardo Fróes. São Paulo: Cosac Naify, 2005.
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(c) Copyright Alexandre Rodrigues Costa (Autor) 2006
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