Poesia visual e imagens da matéria
DOI :
https://doi.org/10.17851/2317-2096.15.1.22-32Mots-clés :
poesia visual brasileira, poesia concreta, Bachelard, imaginação poética, Brazilian visual poetry, concrete poetry, poetical imagination.Résumé
Resumo: O propósito deste artigo é discutir alguns poemas visuais pós- concretos no contexto da teoria da imaginação poética proposta por Gaston Bachelard, baseada nos arquétipos dos quatro elementos (ar, água, terra e fogo). Os poemas aqui considerados estão diretamente relacionados ao tema dos elementos.
Palavras-chave: poesia visual brasileira; poesia concreta; Bachelard; imaginação poética.
Abstract: The purpose of this article is to discuss some postconcrete visual poems in the context of Gaston Bachelard’s theory of poetical imagination, which is based on the archetypes of the four elements (air, water, earth and fire). The poems considered here are directly related to the theme of the elements.
Keywords: Brazilian visual poetry; concrete poetry; Bachelard; poetical imagination.
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Références
ALBINO DE SOUZA, Erthos. Le tombeau de Mallarmé. In: CAMPOS, Augusto de; PIGNATARI, Décio; CAMPOS, Haroldo de. Mallarmé. 3. ed. São Paulo: Perspectiva, 2002.
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BACHELARD, Gaston. A água e os sonhos. São Paulo: Martins Fontes, 1989.
BACHELARD, Gaston. A poética do espaço. São Paulo: Abril Cultural, 1978. (Os pensadores).
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HERRMANN, Villari. Oxigênesis. São Paulo: Edições Strip, 1977.
KAQ, Francisco. Aresta/Hagoromo. Brasília: Thesaurus, 1990.
MENEZES, Florivaldo. Livro s/ título. São Paulo: Edições Invenção, 1972.
RISÉRIO, Antonio. Fetiche. Salvador: Casa de Jorge Amado, 1996.
WEYL, Hermann. Simetria. São Paulo: Edusp, 1997.
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(c) Tous droits réservés Roland Azeredo Campos (Autor) 2007
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